Little Belgium

A boy from the desert tries to sell a sand rose in the big city.

Short documentary by Peter Fleischmann

The experimental stop motion story of a London boy in World War 2, we witness war drawing inexorably closer as he comes of age. 14 when war begins, our young hero lives through bombings, the evacuation of his siblings, the privations of wartime. Yet he survives and even thrives. He sets out to search for his friend in the East End during those turbulent and frightening times, and with his own voice tells his story with a wit and verve few would believe today. Finally we leave him at the brink on D-Day, a hero already in the making.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A historic underground gay document. Shocking. Intimate. Taboo. A behind-the-scenes look at the performance art of a millennial artist who travels the world performing in public spaces using the medium of piss, video and the internet to break social norms.

A documentary that introduces FIT Hives, a student-run organization whose mission is to educate the FIT community about the importance of bees to the environment, the use of bee-derived resources in the industries related to the majors at FIT and its goal to put a beehive on the roof. FIT Hives is a recipient of an FIT Innovation Grant which also supported the making of this documentary.

A rare "inside" view of a motorcycle club in Toronto, one of the network of such fraternal groups in the large centers across North America. The names they adopt (Satan's Choice is only one) are as individual as their special ethics and views of life, all freely expressed in this film.

The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.

The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Ibn Kenyatta has been in prison since 1974. In 2019, he reflects on his refusal to appear before the New York State Board of Parole. The words resonate from his cell with images of the Great Migration. The invocation of a life before walls. The images' epistolary narrative takes us from Alabama, his birthplace, to the New York subway where he was arrested and beaten. Before arriving to Haiti's spiritual world, his words pass through cotton fields and factories. We encounter Bobby Seale in prison, a youth who embodies his African heritage during the Vietnam War, while his fathers are murdered in the United States.