War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
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The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
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Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
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One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
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The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
**A play, transported to the cinema, continues to be a play, even if it is an intelligent and well-made play.** Based on a theatrical play, this film makes an interesting mix between comedy and sharp and blunt social criticism by allowing a very rich couple from New York to be very easily deceived by a tramp who, using the right knowledge, manages to enter and sleep at their house. Despite not being perfect, and being a reasonably still film, dependent on dialogues that never seem to end, the film works quite well if we are open to giving it the opportunity it asks of us. It is not, however, an easy film: the reliance on dialogues, and the intelligent, almost intellectual, way in which they are conceived, will scare away audiences who are not so willing to tolerate it. For the most part, the film feels a lot like a play or something you'd see in the theater, and that can get a little tiresome. Will Smith is the great actor who dominates the film, with a superb performance. It was a film that helped a lot in his artistic career, and that opened the doors for him to better and more recognized works. However, it is still one of the actor's best films so far. We cannot, however, ignore the inspired and successful performance of Donald Sutherland and Stockard Channing, in the role of the two millionaire art dealers that Smith so easily deceives. In a more discreet position, Sir Ian McKellen is positively supportive of the main cast. Technically, it's a film that doesn't seem to have been very expensive to make, as almost half of the action takes place inside the rich people's apartment, and that all the action seems to have been limited to a relatively small geography. There are no visual or special effects that stand out, the sound has minimal intervention, and the soundtrack consists of songs that we know relatively well and that are cleverly used. The cinematography is basically 90's standard, which makes this film a bit of a dated piece.
Oddball hot dog vendor Albert is shocked to find himself becoming the bizarre muse of enigmatic NYC photographer Ivan Worthington. But shocks come his way even more so when he finds out how difficult is is to succeed in the art world, leading him to take his own photographs that suit his very unique - and very limited - skill set.
Rick Mason is the no-good lowdown rat who tries to capitalize on postwar patriotism and grief. He finagles a war widow into giving up her savings for a nonexistent memorial. When Mason falls in love with the widow he has pangs of conscience, but he reckons without his con-artist boss, who tends to bolster his arguments with muscle and bullets.
Former Danish servicemen Lars and Jimmy are thrown together while training in a neo-Nazi group. Moving from hostility through grudging admiration to friendship and finally passion, events take a darker turn when their illicit relationship is uncovered.
In the underworld of Manhattan, a woman dares to stand up to one of the city's most powerful gangsters.
A young black pianist becomes embroiled in the lives of an upper-class white family set among the racial tensions, infidelity, violence, and other nostalgic events in early 1900s New York City.
Caught in forbidden love, Yong Joon defects from North Korea, leaving Jae Sung behind. Years later, a reunion forces him to choose between past and present.
Itamar and Thomas share a bed, walls, an apartment and electricity bills. Thomas commands, manages, and criticizes; Itamar is silent and listens. Between the apartment walls, frustration and loneliness unfold.
A slab of food descends down a vertical facility. The residents above eat heartily, leaving those below starving and desperate. A rebellion is imminent.
Wally, a struggling playwright and actor, reluctantly agrees to catch up with his old friend Andre, a theater director who disappeared several years prior in order to travel the world. Meeting at a posh Manhattan restaurant, the two share life stories, anecdotes and philosophical musings over the course of an evening meal.
Twenty-three-year-old John has just moved to L.A. from New York, ostensibly "taking a break" from his longtime girlfriend. He moves in with college bro Andy, whose pals incessantly do that kind of "That is so gay" banter that's essentially harmless - unless you're the only gay guy in the room.