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Well, as the title says, it is infact the most underrated movie ever produced by Indian cinema. Its all about the un-riped, non matured persona of Indian movie viewers of that time, which rejected a sheer classic just because it was not in common man`s language, but indeed had the magical sense of poetric Urdu and Hindi combination. The story is all about the first ever female Indian ruler of Delhi sultanate time, Razia sultan. Though the movie played a little bit with the history, which though in itself is doubtful and confused, it dealt with the concept very intelligently. Sultan Iltutmish wants to hand over is throne to his daughter Razia, who is most eligiable for the post among all his heirs. However it wasnt that easy in the medieval period of indian history and many chiefs stood against her, whom she successfully suppressed and gained her empire. The story along with all these historical element, also deals with the persnale side of Razia, that is, her love affair with a slave, who later was rewarded with freedom by the Sultan Iltutmish, owing to his bravery and loyality. Now as this love affair which wasn`t approved by any of her chiefs, they revolted against her and she eventually died fighting. Now history says something else, which by the way isnt to be discuss here. The movie by Kamal amrohi (Pakeezha and many more), was a total treat for the eyes with its huge sets of medieval times. The art was the most outstanding part of the movie and a phenomenal amount of money was spent on them ( 15 crores in 1982). These sets almost took us in those times with glittering diamond jewellery, the wepaonry and costumes. Dharmendra and Hema looked perfect in their roles and carried them with a delicacy indeed required according to the time period, movie dealt with. The music (Khayyam) and lyrics were superb and totally matched with the story requirements. Who can ever forget the melodious and shivering voice of Gabban mirja in "ayyi zanjeer ki jhnakar" and "tera hijra mera naseeb" and the sweetness of "Ae dile nadan" by Lata. The writing credits goes to Kamal amrohi who also directed the film. The language was so poetric and complex that it became the main reason of its failure at the box office. And we say that the classics are not rememeberd by their collections but their chrams which still haunts the viewers, Razia sultan will be remembered as a historical classic, which depicted the art of movie making, while dealing with the subjects, centuries old, but which haven`t yet lost their beauty.
The film is an adaptation of the novel Samar Habib by Ismåeel Walieddin. author of Female Homosexuality in the Middle East: Histories and Representations. The main character, Ahmad, leaves rural eastern Egypt for the city hoping to become economically self-sufficient, gets an apartment for his parents, and obtains a law degree. He and his family are refugees from a town occupied by the Israeli army, Ismaåilia. Ali, the owner of the Malatily Bathhouse, offers to let him stay there for free. Ahmad encounters several characters there, including Naåeema, a prostitute who he becomes obsessed with, and Raouf, a homosexual man.
Sometimes, Ily is a short film about love and heartbreak. About the intensity of falling in love and the collapse of a couple, and above all, about the inevitable anguish of seeing your closest person become a complete stranger.
The adventures of a blind, gambling masseur and master swordsman. Zatoichi targets a yakuza-controlled village, because war with a neighbouring town's smaller gang is brewing.
In Kentucky, a transgender woman and her best male friend lament the lack of eligible partners and step across old boundaries of love and romance.
On the South Pacific island of Bora Bora, a young couple's love is threatened when the tribal chief declares the girl a sacred virgin.
Part 1 of a 2-part romance based on a story by noted author Kikuchi Kan. The central character here is Toyomi (played by Takako IRIE, star of Mizoguchi’s "Water Magician), a rich young woman in love with Shintaro (Minoru TAKADA), a rich young man. Unfortunately, Shintaro’s father is in the process of arranging a marriage for him with Yurie (Chieko TAKEHISA), the scion of an even wealthier family. In order to avoid this, the two young lovers flee to Tokyo to live together. When Shintaro comes back to proclaim his intent to marry Toyomi, his father browbeats him into attending the long-arranged marriage meeting with Yurie. While Shintaro is back home, Toyomi goes on a vacation trip with her closest chum, Michiko (Yumeko AIZOME). At a class reunion, Toyomi is to distressed (at not having heard from Shintaro for so long), she doesn’t go out on the town with her classmates. Michiko, however, runs into Shintaro and Yurie (also out on the town), and pulling him aside, demands an explanation.
On the eve of Independence, the chairman of the Border Commission, Sir Cyril Radcliffe decides to divide India and Pakistan into equitable halves. What the administration doesn’t account for is the line running through the middle of Begum Jaan’s brothel situated plonk on the border; with one half falling in India and the other in Pakistan.
A fictional history of two legendary revolutionaries' journey away from home before they began fighting for their country in the 1920s.
After handsome and rich man Dong-Ni (Alan Tang) is blinded in a car accident, he becomes moody, and does not go out of his room. Dong-Ni's mother hires beautiful Ai-Sha (Chen-chen) as her son's carer. Initially, Dong-Ni often throws tantrums at Ai-Sha, but Ai-Sha is patient, caring and does not give up. Dong-Ni's mother notices Dong-Ni's growing interests in Ai-Sha and becomes concerned, as Ai-Sha is not in the right social class for her son. What would happen to the couple?
During China's Tang dynasty the emperor has taken the princess of a neighboring province as his wife. She has borne him two sons and raised his eldest. Now his control over his dominion is complete, including the royal family itself.
