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The One Show - (Mar 29th)
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Gogglebox - (Mar 28th)
**Despite being an improvement over the previous film, it still has a very stupid style of humor.** When I saw the first “Clerks” movie, I found it quite rude, uninteresting, based on endless and boring dialogues. And I confess that I did not expect anything better here. The film, however, managed to surprise me and give me more than I expected. The action takes place about ten years after the first film (which is correct, the sequel only appeared ten years after the original) and shows how Dante, the central character of this plot, left his hated convenience store to work in a fast food restaurant. He's still not interested in the job, and hates the place, but he's engaged to a blonde beauty who plans to take him to Florida, where her father is going to give them a home. However, whoever is destined to be a Nobody cannot expect many strokes of luck, and he will, in a single day, throw everything away. Of course, Randal, his old buddy, will take his share of the blame for what happens. If the first film failed for having no script, just a succession of intelligent but rude and uninteresting dialogues, this film corrected that flaw and gave the characters a decent story. However, decent does not mean good: although this was a great advance, the film has a huge romantic subplot that seems to have been written on a high school, because it works rather poorly and is unconvincing. Another problem with the film is the quality of most of the characters involved because almost all of them are sketchy, one-dimensional, uninteresting and some of them are just clowns who throw us jokes and more jokes worthy of a military barracks or a college dorm. This leads us to talk about humour! Thought to be the strong point of this film, the comedy is based on scatological, sexual and unhygienic humour. Jokes about poor hygiene in a restaurant or bestiality or several other sexual practices flow freely and abundantly, like a flood in a sewer after a storm. There are also references to other films (Lord of the Rings, Star Wars…), most of which not very complimentary. Anyway! This humor is not only rude, but also stupid. The actors from the previous film (Brian O'Halloran, Jeff Anderson, Jason Mewes, Kevin Smith) are back for the characters they already know and to do again what they had already done. The big improvement is really from O'Halloran, who showed a better job and talent to do something more challenging and competent. But it's Rosario Dawson who deserves the most attention: her character is convincing, likable and smarter than the rest, while still being funny when she wants to be (brain and humor go hand in hand, take note, director Kevin Smith). Ben Affleck also appears here, in a short, uninteresting and forgettable cameo. Truly pitiful is Trevor Fehrman's performance… he wasn't an actor, he didn't go beyond the most pathetic silliness.
Billy Batson and his foster siblings, who transform into superheroes by saying "Shazam!", are forced to get back into action and fight the Daughters of Atlas, who they must stop from using a weapon that could destroy the world.
Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two reunite. On the way he discovers France, bicycling and true love, among other things.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in tequila and decide to take one last trip to the sea. Drunk and still in pajamas they steal the first fancy car they find, a 60's Mercedes convertible. The car happens to belong to a bunch of gangsters, which immediately start to chase it, since it contains more than the pistol Martin finds in the glove box.
When an alien with amazing powers crash-lands near Mossy Bottom Farm, Shaun the Sheep goes on a mission to shepherd the intergalactic visitor home before a sinister organization can capture her.
Advice columnist Dan Burns is an expert on relationships, but somehow struggles to succeed as a brother, a son and a single parent to three precocious daughters. Things get even more complicated when Dan finds out that the woman he falls in love with is actually his brother's new girlfriend.
The heroic Leonidas, armed with nothing but leather underwear and a cape, leads a ragtag group of thirteen Spartans to defend their homeland against the invading Persians (whose ranks include Ghost Rider, Rocky Balboa, the Transformers, and a hunchbacked Paris Hilton). No one is safe when the Spartans take on the biggest icons in pop culture!
Two stoners wake up after a night of partying and cannot remember where they parked their car.
The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, the pair broadcast a talk-show called "Wayne's World" on local public access television. The show comes to the attention of a sleazy network executive who wants to produce a big-budget version of "Wayne's World"—and he also wants Wayne's girlfriend, a rock singer named Cassandra. Wayne and Garth have to battle the executive not only to save their show, but also Cassandra.
A message from Jim Morrison in a dream prompts cable access TV stars Wayne and Garth to put on a rock concert, "Waynestock," with Aerosmith as headliners. But amid the preparations, Wayne frets that a record producer is putting the moves on his girlfriend, Cassandra, while Garth handles the advances of mega-babe Honey Hornée.
A listless and alienated teenager decides to help his new friend win the class presidency in their small western high school, while he must deal with his bizarre family life back home.