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**Despite being an improvement over the previous film, it still has a very stupid style of humor.** When I saw the first “Clerks” movie, I found it quite rude, uninteresting, based on endless and boring dialogues. And I confess that I did not expect anything better here. The film, however, managed to surprise me and give me more than I expected. The action takes place about ten years after the first film (which is correct, the sequel only appeared ten years after the original) and shows how Dante, the central character of this plot, left his hated convenience store to work in a fast food restaurant. He's still not interested in the job, and hates the place, but he's engaged to a blonde beauty who plans to take him to Florida, where her father is going to give them a home. However, whoever is destined to be a Nobody cannot expect many strokes of luck, and he will, in a single day, throw everything away. Of course, Randal, his old buddy, will take his share of the blame for what happens. If the first film failed for having no script, just a succession of intelligent but rude and uninteresting dialogues, this film corrected that flaw and gave the characters a decent story. However, decent does not mean good: although this was a great advance, the film has a huge romantic subplot that seems to have been written on a high school, because it works rather poorly and is unconvincing. Another problem with the film is the quality of most of the characters involved because almost all of them are sketchy, one-dimensional, uninteresting and some of them are just clowns who throw us jokes and more jokes worthy of a military barracks or a college dorm. This leads us to talk about humour! Thought to be the strong point of this film, the comedy is based on scatological, sexual and unhygienic humour. Jokes about poor hygiene in a restaurant or bestiality or several other sexual practices flow freely and abundantly, like a flood in a sewer after a storm. There are also references to other films (Lord of the Rings, Star Wars…), most of which not very complimentary. Anyway! This humor is not only rude, but also stupid. The actors from the previous film (Brian O'Halloran, Jeff Anderson, Jason Mewes, Kevin Smith) are back for the characters they already know and to do again what they had already done. The big improvement is really from O'Halloran, who showed a better job and talent to do something more challenging and competent. But it's Rosario Dawson who deserves the most attention: her character is convincing, likable and smarter than the rest, while still being funny when she wants to be (brain and humor go hand in hand, take note, director Kevin Smith). Ben Affleck also appears here, in a short, uninteresting and forgettable cameo. Truly pitiful is Trevor Fehrman's performance… he wasn't an actor, he didn't go beyond the most pathetic silliness.
After losing their academic posts at a prestigious university, a team of parapsychologists goes into business as proton-pack-toting "ghostbusters" who exterminate ghouls, hobgoblins and supernatural pests of all stripes. An ad campaign pays off when a knockout cellist hires the squad to purge her swanky digs of demons that appear to be living in her refrigerator.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
An irritable marketing executive, Neal Page, is heading home to Chicago for Thanksgiving when a number of delays force him to travel with a well meaning but overbearing shower curtain ring salesman, Del Griffith.
Buck Russell, a lovable but slovenly bachelor, suddenly becomes the temporary caretaker of his nephew and nieces after a family emergency. His freewheeling attitude soon causes tension with his older niece Tia, loyal girlfriend Chanice and just about everyone else who crosses his path.
Dedicated environmental lawyer Lucy Kelson goes to work for billionaire George Wade as part of a deal to preserve a community center. Indecisive and weak-willed George grows dependent on Lucy's guidance on everything from legal matters to clothing. Exasperated, Lucy gives notice and picks Harvard graduate June Carter as her replacement. As Lucy's time at the firm nears an end, she grows jealous of June and has second thoughts about leaving George.
A faulty computer causes a passenger space shuttle to head straight for the sun, and man-with-a-past Ted Striker must save the day and get the shuttle back on track – again – all the while trying to patch up his relationship with Elaine.
God contacts Junior Congressman Evan Baxter and tells him to build an ark in preparation for a great flood.
A depressed white-collar worker tries hypnotherapy, only to find himself in a perpetual state of devil-may-care bliss that prompts him to start living by his own rules, and hatch a hapless attempt to embezzle money from his soul-killing employers.
Two quirky, cynical teenaged girls try to figure out what to do with their lives after high school graduation. After they play a prank on an eccentric, middle aged record collector, one of them befriends him, which causes a rift in the girls’ friendship.
When an alien with amazing powers crash-lands near Mossy Bottom Farm, Shaun the Sheep goes on a mission to shepherd the intergalactic visitor home before a sinister organization can capture her.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
