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The Last American Vagabond - (Jan 30th)
Richard Osmans House of Games - (Jan 30th)
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Come Dine With Me- South Africa - (Jan 30th)
The Nature of Things - (Jan 30th)
The Dog House - (Jan 30th)
The Apprentice - (Jan 30th)
Tyler Perrys Sistas - (Jan 30th)
Katy Tur Reports - (Jan 30th)
Pictionary - (Jan 30th)
Chris Jansing Reports - (Jan 30th)
Andrea Mitchell Reports - (Jan 30th)
Piers Morgan Uncensored - (Jan 30th)
Brian and Maggie - (Jan 30th)
Nature - (Jan 30th)
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Over the years, I have really enjoyed Smith's comic book writing, but this is the only film so far I have seen him direct. My cinephilic friends tend to dismiss his recent works, but this was very enjoyable. I like the influence he has had on independent cinema. 1994 certainly proved to be an important year for it, with the smash successes that independent studios had with 'Clerks' and 'Pulp Fiction'. I hope he sticks to directing films that he himself writes. I have the feeling he wants to expand his horizons but isn't quite sure how to go about it without alienating his huge fanbase. I have great confidence in him, and feel that if he puts his heart into it, he can be a great filmmaker, instead of a good one. I think for him to do so, he could do himself a great service and read a few less comic books and watch a lot more movies, particularly by the Hollywood greats from the Golden Age, such as Sir Alfred Hitchcock, Howard Hawks, Raoul Walsh and John Ford. It would be quite exciting to see what he comes up with, once his creative juices are recharged.
Quite a controversial movie, I would say, yet the very one from all by Kevin Smith I actually like. Not for those below-the-belt jokes but this lowlife vibe most of us lost on the halfway to adult life. Now I find myself lying with my laptop on a couch, like I always do after a long day at work, filling out the form 8862 and recalling the times like that. The times when the bare minimum seemed to be a freedom and the only thing one needs to be satisfied with their life.
**A rude but understandable film.** I just saw this film, and honestly I was hoping for a slightly different comedy, with a more elaborate, more conventional structure and not based so much on endless dialogues. It is, however, an independent film, made a little outside of what traditional circuits and big studios are, and the budget is limited. If we consider all this, I think we can understand the film better. The film basically accompanies a day in the life of two commercial employees who hate their jobs but need them, like any mortal. They work closely together and are friends, but the day promises not to be easy for either of them. The film is based on jokes of a very rude nature, sometimes also on the inelegant manners of the characters. There are a lot of allusions to pop culture throughout the movie as well, and I didn't always get that. It's not the kind of humor I really enjoy, though the film has its moments. Perhaps this style of humor works better with young people and teenagers than with someone more adult... The cast features a number of actors that I don't really know. Brian O'Halloran and Jeff Anderson had their most relevant work in this film, from what I've seen. The film is quite restrained in terms of costumes and scenery, and I believe that real stores were used for the production. What can be considered a weakness, the low budget, was to some extent an advantage, taking into account the type of film they preferred to make here. The cinematography is very good and well used, and is perhaps the film's most artistic feature.
Three years after Mike bowed out of the stripper life at the top of his game, he and the remaining Kings of Tampa hit the road to Myrtle Beach to put on one last blow-out performance.
An aspiring teenage cartoonist and his friends come to the aid of a singer trying to save her family property from developers.
For Beary Barrington, The Country Bears' young #1 fan, fitting in with his all-too-human family is proving im-paws-ible. When he runs away to find Country Bear Hall and his heroes, he discovers the venue that made them famous is near foreclosure. Beary hightails it over the river and through the woods to get the Bears in the Band back together for an all-out reunion concert to save Country Bear Hall.
Solomon and Tummler are two teenagers killing time in Xenia, Ohio, a small town that has never recovered from the tornado that ravaged the community in the 1970s.
Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in tequila and decide to take one last trip to the sea. Drunk and still in pajamas they steal the first fancy car they find, a 60's Mercedes convertible. The car happens to belong to a bunch of gangsters, which immediately start to chase it, since it contains more than the pistol Martin finds in the glove box.
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.
Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.
A music-mad 16-year-old outcast at a rugby-mad boarding school forms an unlikely friendship with his dashing new roommate.
When Van Helsing's mysterious invention, the "Monsterfication Ray," goes haywire, Drac and his monster pals are all transformed into humans, and Johnny becomes a monster. In their new mismatched bodies, Drac and Johnny must team up and race across the globe to find a cure before it's too late, and before they drive each other crazy.