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Alienation and the loner! Shane Meadows is fast becoming one of the finest directors to come out of England, his films have such an earthy quality to them it's very hard to imagine that any Englishman can not find one film from his output that they can't identify with. Be it thematically or character wise. Meadows is the man from the street laying out his stories with honesty and gusto awareness. Whether Meadows will ever break out and be a hit outside of the British Isles is highly debatable, his Dead Man's Shoes from 2004 was well received away from his home shores, but you would be hard pressed to find anyone in American multiplexes (for example purposes only) who could tell you who he is, which for a director who has his finger firmly on the pulse of characterisation, that is a crying shame. A Room For Romeo Brass is the tale of two teenage boys who during a fight with some bullies meet gangly loner Morell, as Morell starts to take an unhealthy obsession with Romeo's sister, their friendship is pulled apart, but this is merely the start of Morell's impact as he is about to explode into both of the boys already fractured families. That's all you need to know really, for there is no more to tell, and this is one of Meadows's main strengths, there are no hidden agendas, no allegories of wars, this is just an everyday English housing estate with two families awash with everyday characters. Just how often do you see a loner in your neighbourhood? They are there, are they all like Morell? Well it may be best not to find out eh? Paddy Considine makes his film debut here (thankfully he is now a name across the waters), and his turn as Morell is as scary as it is sad. Anyone who was impressed with his turn as the vengeful Richard in Dead Man's Shoes will be well rewarded here. A young Andrew Shim as Romeo grabs the role with sizzling vitality, a character calling for strength of nature whilst layering in a heartfelt slant that the story benefits from. I must mention big Frankie Harper (Dog in Lock, Stock & Two Smoking Barrels), playing Romeo's estranged father, he gets it absolutely note perfect and I was delighted to see Meadows give him the film's crowning moment. A film that opens with The Specials and closes with The Stone Roses should always appeal to an English heart, but lets get Shane Meadows' work out there to the masses, for here is a man who even gives an end credit mention for the man who turned on the generators, a man making films for the people, about the people in our midsts. 8/10
Ils sont amis depuis l'enfance et se sont juré de toujours s'entraider. Ensemble, Kathy, Tara et Yann ont quitté leur île bretonne pour s'installer à Paris. Alors que Yann est heureux avec Alfredo, son compagnon, les deux filles connaissent des vies sentimentales plutôt désastreuses. Tara, aussi rieuse que peu sûre d'elle, se fait esclavagiser par Thomas, petit prof égocentrique et mesquin...
Petr is a courier, a messenger as a matter of fact. He is one of those young men who believe that on their bikes they have become part and parcel of the atmosphere of modern cities. He is a non-conformist who refuses to settle into today‘s deformed society, he abhors its indolence, consumerism and lies, as well as its pseudo-truths, pseudo-feelings, pseudo-loves and pseudo-values. Petr’s untrammelled personality keeps causing more and more serious problems. And Petr is also one of those who will never admit to themselves that they might be at the end of their tether.
Convinced his friends forgot his birthday, Timmy visits Mr. Wisdom and is shown what Flossmore Valley would be like if he wasn't around.
Genji and his victorious G.P.S. alliance find themselves facing down a new challenge by the students of Hosen Academy, feared by everyone as 'The Army of Killers.' The two schools, in fact, have a history of bad blood between them. And the simmering embers of hatred are about to flare up again, burning away any last remnants of the truce they had so rigorously observed until now.
In a 1940s New York, two Jewish teenage boys are determined to remain friends despite the deep differences between their two families.
An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.
15-year-old girl tries to find her place after she moves to a new town in eastern Germany with her mother following her father's death.
After taking his dying father's advice, Hal dates only the embodiments of female physical perfection. But that all changes after Hal has an unexpected run-in with self-help guru Tony Robbins. Intrigued by Hal's shallowness, Robbins hypnotizes him into seeing the beauty that exists even in the least physically appealing women. Hal soon falls for Rosemary, but he doesn't realize that his gorgeous girlfriend is actually a 300-pound-not-so-hottie.
A headstrong young woman returns to New Orleans after the death of her estranged mother.
Four good-for-nothing lads, including Tippu, from Godavarikhani, a town in Kareemnagar District, often face humiliation by the members of their neighbourhood. In an attempt to gain respect, they plan on doing something to make news in the local papers. However, Tippu’s love for Divya makes him take decisions that lands all of them in troubles. How the gang overcomes the obstacles and also fulfil the dream of making news in the process forms the story.
A young reformed gambler must return to playing big stakes poker to help a friend pay off loan sharks.