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**Under the limit, but acceptable for being honest!** I watched the entire film without knowing it was based on the real. Only on the later I came to know that and my stance has changed a bit. Because it's not always about the quality of the product, but something revealing truth is most important to me in films. It was honest and not following the blueprint of a similar kind was the advantage. Obviously it was a small budget B movie with unfamiliar cast. So while watching it, I thought why they (film characters) not doing like this, that. Because entertainment films should do that for its viewers to please, but its notion was not that. It was depicting the actual event. Well, most of the crucial scene with the beast was just acceptable due to the category of film it belongs. Can't afford graphics nor trained animal, but I appreciate the effort. Story wise, it takes time to come to the point. And then everything happens so fast before the end approach. Initially, the narration teases with a different kind of thriller, but after some developments, it accomplishes its mission. Like I said don't expect something like 'The Revenant'. This film is not for the recommendation, but trying it out on your own is not a bad idea. _5/10_
For a movie whose one thing is summed up in the Play School theme, "There's a bear in there", there could have been more bear in there. The intial contact with said ursine is magnificent though. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
***Lost-in-the-woods-and-menaced-by-nature Indie*** A young couple from the big city (Jeff Roop & Missy Peregrym) goes hiking & camping at a Provincial Park in the wilderness and find themselves lost and harassed by primal perils, human and animal. Eric Balfour is on hand as a dubious Irish outdoors guide. Written/directed by Adam MacDonald, “Backcountry” (2014) was inspired by the true story of Mark Jordan & Jacqueline Perry and their encounter with a man-eating bear in the wilds of Missinaibi Lake Provincial Park, North of Chapleau, Ontario, in 2005. Peregrym is reminiscent of Hilary Swank while Roop brings to mind a younger, less goofy Ray Romano. The movie’s basically a low-rent meshing of survival-in-the-woods flicks like “Deliverance” (1972) and “The Edge” (1997). If you’re in the mood for this kind of flick, “Backcountry” is pretty well done for an Indie. Sometimes the acting by the protagonists is questionable, but it’s all-around serviceable and occasionally very good. The attack sequence & gore are excellent for such a low budget film. Some viewers have question the inclusion of the suspicious woodsman in the first act, but it corresponds to story structure "rules" in any type of suspense yarn, which is: When things slow down, bring in some kind of conflict, particularly in the first act. In other words, to encourage a viewer to keep watching give him/her something near the beginning: conflict, trouble, fear, violence. I was honestly bored with the movie up until Brad (the guide) was introduced, which ultimately leads to confrontation. This relatively gripping sequence perked up my attention and encouraged me to keep watching. It's WHY the writer/director included it, along with it being a challenge to Alex’ competency, plus a red herring. The film runs 1 hour, 32 minutes and was shot at Restoule Provincial Park and nearby Powassan, Ontario (just south of North Bay), as well as Caddy Lake, Manitoba; I’m assuming the city sequence was shot in Toronto. GRADE: B/B-
Jason Crockett is an aging, grumpy, physically disabled millionaire who invites his family to his island estate for his birthday celebration. Pickett Smith is a free-lance photographer who is doing a pollution layout for an ecology magazine. Jason Crockett hates nature, poisoning anything that crawls on his property. On the night of his birthday the frogs and other members of nature begin to pay Crockett back.
Grace King Bichon, who is managing her father's riding-stable, discovers that her husband Eddie is deceiving her with another woman. After confronting him in the middle of the night on the streets of their small home town, she decides to stay at her sister Emma Rae's house for a while to make up her mind. Breaking out of her everyday life, she starts to question the authority of everyone.
The horrifying true story of Ed Kemper, a cunning and sadistic serial killer shaped by childhood abuse, whose charm masked his grotesque obsession with murder, mutilation, and the ultimate act of revenge on his mother.
Sawa, orphaned as a child by murderous thugs, now targets the scourge of society as a trained killer for a mercenary syndicate. Coquettish and capable of unimaginable violence, she's grown into the perfect weapon — but doubt takes hold in Sawa's mind when her fellow assassin, Oburi, decides he wants out.
After a botched robbery results in the brutal murder of a rural family, two drifters elude police, in the end coming to terms with their own mortality and the repercussions of their vile atrocity.
When a kindly priest is murdered while waiting at a street corner in a quiet Connecticut town, the citizens are horrified and demand action from the police. All of the witnesses identify John Waldron, a nervous out-of-towner, as the killer. District Attorney Henry Harvey is then put on the case and faces political opposition in his attempt to prove Waldron's innocence.
When several young girls are found dead, left hideously aged and void of blood, Dr. Marcus suspects vampirism. He enlists the help of the Vampire Hunter. Mysterious and powerful, Kronos has dedicated his life to destroying the evil pestilence. Once a victim of its diabolical depravity, he knows the vampire's strengths and weaknesses as well as the extreme dangers attached to confronting the potent forces of darkness.
The vampire myth is given a stylish 1960s treatment, where a human cop partners with a vampire cop to stop a vamp bent on creating a war between the two "separate but equal" races.
Charles Lindbergh struggles to finance and design an airplane that will make his 1927 New York to Paris flight the first solo trans-Atlantic crossing.
The story of the breakout of the German battleship Bismarck—accompanied by the heavy cruiser Prinz Eugen—during the early days of World War II. The Bismarck and her sister ship, Tirpitz, were the most powerful battleships in the European theater of World War II. The British Navy must find and destroy Bismarck before it can escape into the convoy lanes to inflict severe damage on the cargo shipping which was the lifeblood of the British Isles. With eight 15 inch guns, it was capable of destroying every ship in a convoy while remaining beyond the range of all Royal Navy warships.