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**When someone aimed a gun at Jesse...** The fifth film in the Jesse Stone series based on the characters from the book by Robert B. Parker. That's right, this film is not an adaptation of any book, for the first time in the series it is an original screenplay. But the director was retained for the fifth time and that's a plus point here. Particularly who can understand not just this one film, but the whole series to take it on the right path. There is also lies some weakness that it's not getting better as it should be, but I would say it's the writing that did not impress me. This is the half way mark and another film in the series that's not so good, but counting it as an individual, definitely it is a better one. I expected this film after the previous one was not up to its previous one, but I must say I'm slightly disappointed. It is enjoyable, as a television film and its production quality was undeniably great, but I think my over anticipation is what barred me from having a good time with it. I am not blaming the story, but the scenes which were not strong enough. The positives were you can't predict them, and what's more important than that in a detective story. It opened with a shootout and Jesse got injured, though there's no serious. Now he has a case to pursue, but not official and his chief warns him going after certain person. Jesse also got enquired by an Internal Affair for him involving in the recent shootouts which is above normal. Besides, a mother came afar to him requesting to investigate her baby went missing seven years ago. Among the cases, the narration splits, but holds the suspense till the final act. There's no big twist, but both the cases come to end with Jesse's unique way of dealing. > "The information's out there. All you've to do is let it in." When the tale is about to conclude, there comes a big blow to him and his future hangs. An interesting ending, maybe a turning point in the series like the season one ends here and the season two is about to commence. If it was a television series, this is where the split happens between the seasons. The Jesse's walk out of the station at the final scene brings a new perspective. A bit emotional, if you are a Jesse Stone fan. The last two films were average compared to the earlier ones, so this change might refresh in the series going forward. It should be, otherwise I might lose interest in the series. This film is not bad, but after the fine developments in the mid part which was hyped, did not stand up to the expectations once the revelation came. There was no big expansion in the cast, but like usual some of the new ones, those who came only for this film had made some decent contribution. Like Jessica Hecht was the only known person to me who have made into it. And the rest of the cast including Selleck was great as usual. Jesse still remains dominated, but kind of losing strength while other characters around him gaining the momentum in their small part. Because he's the same from the first film, though needs some upgrade like nothing for the additional, but feeding with what he's good at. I mean, he's a badass and a daring character, but lately his parts were not appealing enough as what he's known for. On the other hand, he's just a small town cop; his work is under a limit and that kind of big excuse we definitely don't want. Hope it will not be the case for the next one. I thought I was a Jesse Stone franchise fan after the first two films, but I'm not sure now, the only next couple of films would decide that. So I'm eager for the next sequel. Talking about this installment, I find it above average, but for being a television film and a film series, you can't blame entirely. Because like I said in the earlier review, the ups and downs are part of a film franchise and sometimes they're on purposely done to balance the good and bad side of the story and characters. Like a wheel it has to come up sooner or later, that means the next one in the series is very crucial. It's not the cast or the crew, but the story should be at its best. I hope it all comes back to the normal there. So I meet you there. _7/10_
A British medical doctor fights a cholera outbreak in a small Chinese village, while also being trapped at home in a loveless marriage to an unfaithful wife.
Five years have passed and Jake has turned his back on his family. He's still up to his usual tricks in McClutchy's Bar, unaware, as he downs his latest opponent, that his eldest son, Nig, has died in a gang fight. The uncomfortable family reunion at Nig's funeral sparks a confrontation with second son, Sonny, and sets Jake and Sonny on a downward spiral.
Photographer Bob loses his girlfriend. A year later he meets Kathleen. Is she in love? Or does she use him for her dark dealings with the mafia?
Godfather's story is the story of the greatest of Czech post-revolutionary 'entrepreneurs'. His activities often crossed the edge of the law, and his life ended bullet assassin.
Tomka is a boy who likes playing football with his friends. When the German army captures his town, the German soldiers establish their camp in the town stadium. Tomka with help from his friends and their parents organizes sabotage actions against the soldiers.
A sex-addicted con-man pays for his mother's hospital bills by playing on the sympathies of those who rescue him from choking to death.
Intrepid teenage private eye Nancy Drew heads to Tinseltown with her father to investigate the unsolved murder of a movie star in this old-fashioned whodunit based on Carolyn Keene's popular series of books for young adults. But can the small-town girl cut through the Hollywood hype to solve the case?
A successful TV star during the 1960s, former "Hogan's Heroes" actor Bob Crane projects a wholesome family-man image, but this front masks his persona as a sex addict who records and photographs his many encounters with women, often with the help of his seedy friend, John Henry Carpenter. This biographical drama reveals how Crane's double life takes its toll on him and his family, and ultimately contributes to his death.
A meditation on love and its various incarnations, set within a community of friends in Oregon. It is described as an exploration of the magical, mysterious and sometimes painful incarnations of love.
In this Dickens adaptation, orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.
Adrienne is trying to decide whether to stay in her unhappy marriage or not, and her life changes when Paul, a doctor who is travelling to reconcile with his estranged son, checks into an inn where she is staying.