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**When someone aimed a gun at Jesse...** The fifth film in the Jesse Stone series based on the characters from the book by Robert B. Parker. That's right, this film is not an adaptation of any book, for the first time in the series it is an original screenplay. But the director was retained for the fifth time and that's a plus point here. Particularly who can understand not just this one film, but the whole series to take it on the right path. There is also lies some weakness that it's not getting better as it should be, but I would say it's the writing that did not impress me. This is the half way mark and another film in the series that's not so good, but counting it as an individual, definitely it is a better one. I expected this film after the previous one was not up to its previous one, but I must say I'm slightly disappointed. It is enjoyable, as a television film and its production quality was undeniably great, but I think my over anticipation is what barred me from having a good time with it. I am not blaming the story, but the scenes which were not strong enough. The positives were you can't predict them, and what's more important than that in a detective story. It opened with a shootout and Jesse got injured, though there's no serious. Now he has a case to pursue, but not official and his chief warns him going after certain person. Jesse also got enquired by an Internal Affair for him involving in the recent shootouts which is above normal. Besides, a mother came afar to him requesting to investigate her baby went missing seven years ago. Among the cases, the narration splits, but holds the suspense till the final act. There's no big twist, but both the cases come to end with Jesse's unique way of dealing. > "The information's out there. All you've to do is let it in." When the tale is about to conclude, there comes a big blow to him and his future hangs. An interesting ending, maybe a turning point in the series like the season one ends here and the season two is about to commence. If it was a television series, this is where the split happens between the seasons. The Jesse's walk out of the station at the final scene brings a new perspective. A bit emotional, if you are a Jesse Stone fan. The last two films were average compared to the earlier ones, so this change might refresh in the series going forward. It should be, otherwise I might lose interest in the series. This film is not bad, but after the fine developments in the mid part which was hyped, did not stand up to the expectations once the revelation came. There was no big expansion in the cast, but like usual some of the new ones, those who came only for this film had made some decent contribution. Like Jessica Hecht was the only known person to me who have made into it. And the rest of the cast including Selleck was great as usual. Jesse still remains dominated, but kind of losing strength while other characters around him gaining the momentum in their small part. Because he's the same from the first film, though needs some upgrade like nothing for the additional, but feeding with what he's good at. I mean, he's a badass and a daring character, but lately his parts were not appealing enough as what he's known for. On the other hand, he's just a small town cop; his work is under a limit and that kind of big excuse we definitely don't want. Hope it will not be the case for the next one. I thought I was a Jesse Stone franchise fan after the first two films, but I'm not sure now, the only next couple of films would decide that. So I'm eager for the next sequel. Talking about this installment, I find it above average, but for being a television film and a film series, you can't blame entirely. Because like I said in the earlier review, the ups and downs are part of a film franchise and sometimes they're on purposely done to balance the good and bad side of the story and characters. Like a wheel it has to come up sooner or later, that means the next one in the series is very crucial. It's not the cast or the crew, but the story should be at its best. I hope it all comes back to the normal there. So I meet you there. _7/10_
A story set over one night in a small rural community we watch various relationships and actions among local people; these include birth, death, and conflicts fuelled by alcohol. The fates of various characters become interlaced over a long and light-filled summer night in the Finnish countryside. Lumberjacks, a deer-eyed young man Nokia, a family of poor farmers, a young girl and her lover. New life is born, old life dies, man is slain in his prime, and his widow continues her life.
Smilla Jaspersen attempts to understand the death of a small boy who falls from the roof of her apartment building. Suspecting wrongdoing, Smilla uncovers a trail of clues leading towards a secretive corporation that has made several mysterious expeditions to Greenland.
George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love.
Agent Jack Ryan becomes acting Deputy Director of Intelligence for the CIA when Admiral Greer is diagnosed with cancer. When an American businessman, and friend of the president, is murdered on his yacht, Ryan starts discovering links between the man and drug dealers. As former CIA agent John Clark is sent to Colombia to kill drug cartel kingpins in retaliation, Ryan must fight through multiple cover-ups to figure out what happened and who's responsible.
Yorkshire moorlands, northern England, in the late 18th century. Young Heathcliff, rescued from the streets of Liverpool by Mr. Earnshaw, the owner of Wuthering Heights, an isolated farm, develops over the years an insane passion for Cathy, his foster sister, a sick obsession destined to end tragically.
Nick Naylor is a charismatic spin-doctor for Big Tobacco who'll fight to protect America's right to smoke - even if it kills him - while still remaining a role model for his 12-year old son. When he incurs the wrath of a senator bent on snuffing out cigarettes, Nick's powers of "filtering the truth" will be put to the test.
Second half of the 19th century. In a small town in South Bohemia, fifth-former Jan Ratkin is living through the confusions of first love together with his classmates.
A teenage girl makes a new friend at her school who tells her that she has the ability to travel between worlds.
A down-on-his-luck American Indian recently released from jail is offered the chance to "star" as the victim of a snuff film, the resulting pay of which could greatly help his poverty stricken family.