The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
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The World According to Allee Willis 2024 - Movies (Mar 25th)
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Apocalypse Z The Beginning of the End 2024 - Movies (Jan 10th)
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Dogs Behaving (Very) Badly - (Mar 25th)
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Love Triangle - (Mar 25th)
George Clarkes Amazing Spaces - (Mar 25th)
Sort Your Life Out - (Mar 25th)
School Swap- UK to USA - (Mar 25th)
Killer at the Crime Scene - (Mar 25th)
Deadline- White House - (Mar 25th)
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Four in a Bed - (Mar 25th)
Historys Greatest Mysteries - (Mar 25th)
Pretty dumb movie. I was expecting this moving to be funny. It wasn't. This moving is very boring. Nothing exciting or interesting about it.
**A somewhat one-dimensional comedy that is based on uncomfortable dialogues and situations.** I didn't really know what I was going to find when I sat down to watch this film, directed and written by Kevin Smith (who also appears in the film, in a minor role, his famous “Silent Bob”), who we know best for his participation in the “Clerks” movies. When I finished, I felt moderately satisfied, even though I consider the film forgettable. The plot is based on an unlikely romance between two very different people: Holden is a comic book artist who lives and works with his best friend, Banky. Being a conservative and conventional man, he is confused when he falls in love with Alyssa, a liberal and sexually experienced woman, who says she is a lesbian, but who does not give up having sex with men when she feels like it. The romance will cause mutual discomfort and will lead Banky to try to “protect” Holden from that woman, who is so different from them. Creating a romantic comedy in which a conventional and conservative man gets involved with a clearly more liberal and experienced woman is a good idea, but the film stops there and doesn't go much further than the tension created around it. The characters are poorly developed and are limited to “symbolizing” incompatible ways of experiencing sexuality. We never know more about them and their motivations or thoughts, and the film is not very effective in the way it tries to create comical situations around this. Thinking about the subject, I believe that the funniest dialogues are those of Banky, who shows from an early age that his character is spontaneous and prone to saying things that shouldn't be said. With a poorly developed script, situations whose joke never exceeds the average and production values that also do not surprise or exceed the “standard”, the strongest point of this film ends up being, in my opinion, the work of the main cast, in particular Ben Affleck, Jason Lee and Joey Lauren Adams. Affleck, especially, is superb in the way he brings his character to life. One could hardly give more strength and credibility to that character. Lee is equally good, in that he can be funny, even if he is one-dimensional. Joey Adams does a very good job, and it's strange to see how this film didn't contribute much to the growth of his career.
Narcisus and Psyche is based on a novel by Sandor Weores which was adapted by Vilmos Csaplar and director Gabor Body for a feature-length film. Borrowing the character of Psyche from mythology and placing her in Europe in the 19th century, the authors give her a "modern" life. She is an attractive young woman - and remains so throughout the film, in spite of one hardship after another. Psyche is libidinous, and her prurient interests shock her staid contemporaries.
A message from Jim Morrison in a dream prompts cable access TV stars Wayne and Garth to put on a rock concert, "Waynestock," with Aerosmith as headliners. But amid the preparations, Wayne frets that a record producer is putting the moves on his girlfriend, Cassandra, while Garth handles the advances of mega-babe Honey Hornée.
When she receives word that her longtime platonic pal Michael O'Neal is getting married to debutante Kimberly Wallace, food critic Julianne Potter realizes her true feelings for Michael - and sets out to sabotage the wedding.
Thirsty one night stands, confused straight boys, rooftop confessions and a ménage-à-trois that explodes with hilarious results - it's all just part of the package in this latest offering of spirited story-telling from our Gallic friends. The short films are: Discreet [Scred] (2017); Distinguished Feelings [Sentiments distingués] (2019); Rue des Roses (2012); First Love [Premier amour] (2021); The Edge [4 fromages] (2019); Without Transition [Sans transition] (2021); Fragile [Babtou fragile] (2021).
Singer Freddie Mercury, guitarist Brian May, drummer Roger Taylor and bass guitarist John Deacon take the music world by storm when they form the rock 'n' roll band Queen in 1970. Hit songs become instant classics. When Mercury's increasingly wild lifestyle starts to spiral out of control, Queen soon faces its greatest challenge yet – finding a way to keep the band together amid the success and excess.
Arnold is a gay man working as a drag queen in 1971 NYC. He meets a handsome bisexual man.
An isolated Canadian town (populated by the weirdest group of people this side of Saturn) has seen its share of problems. First the nut factory closed, then the CATV antenna stopped broadcasting, and now something is gruesomely devouring the townsfolk! Can visiting atomic scientist (and expert on "cool fusion") Dr. Karel Lamonte solve the mystery before everyone disappears?
Regulars gather at The Blue Jay, a gay bar in Manhattan's Greenwich Village, to celebrate Christmas Eve 1971 with people they consider family.
Andrew returns to his hometown for the funeral of his mother, a journey that reconnects him with past friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam - a girl also suffering from various maladies - opens up the possibility of rekindling emotional attachments, confronting his psychologist father, and perhaps beginning a new life.
Director helmut Dietls and Patric Susskinds illustrate a legendary story of two lovers who cant keep themselves away from death.