Five of a Kind

The novelty shop owner has gone home, and that means it's time for its items to animate and have fun.

A doctor has a rough time obtaining the money for his services in a lumber town until he delivers quintuplets.

A teenager goes to desperate lengths to get attention when her mother gives birth to quints.

Newspapers around the world proclaim the birth in Moosetown, Canada of the 3,000th baby brought into the world by the doctor, John Luke, known for delivering the famous Wyatt quintuplets. To honor the doctor on his retirement and to publicize their town, the Moosetown chamber of commerce decides to hold a reunion of all the babies delivered by the doctor, some of whom have become famous.

A publicity-minded French mayor reunites quintuplets and their earthy father, all six played by Fernandel.

This James A. FitzPatrick TravelTalks short visits Callander, the Ontario, Canada hometown of the world-famous Dionne Quintuplets, where we meet the five girls and the doctor who delivered them, and take a look about the town.

In 1934, Elzire Dionne delivered five identical girls. The Dionne Quintuplets follows Cecile, Emilie, Marie, Yvonne and Annette through twenty-one years of strange upbringing. When the girls were just infants, the premier of Ontario issued a court order removing them from parental care. Cut off from the world and their family, over-publicized, viewed twice daily in a special viewing compound, they grew up as prize exhibits. Director Donald Brittain uses old newsreel footage, home-movie sequences and interviews to depict a historic event that became a tragic exploitation of a family.

Cécile, Annette, Yvonne, Émilie and Marie, the Dionne Quintuplets, turn five years old and have a private birthday party in their garden. Other than the five little French-Canadian princesses-of-the-world, the attendees at the party for the sheltered sisters are their doctor-and-mentor Roy Dafoe; a priest and two nurses; radio's "Town Crier" Alexander Woollcott; and RKO-Newsreel cameraman Harry Smith.

Ralph suffers from burnout. And is a reptiloid. A film crew portrays the once successful businessman in his cluttered apartment and investigates the question of whether Ralph is really a lizard man who seeks world domination, or a lonely, confused man who is really just looking for love and attention.

Maria (40) strives to balance parenthood and a demanding career while her second husband, Sigmund, frequently travels for work. As the strain of competing needs takes its toll, their marriage begins to unravel. Despite Maria’s desperate efforts to salvage their relationship, Sigmund eventually informs her of his desire for a divorce, forcing her to confront her deepest fears. This revelation propels her into a torrent of grief, anger, and unconscious memories from her own past. Maria eventually realizes that part of the key to understanding her situation lies in her relationship with her own mother and her internal self-image. Through a deeper confrontation with her mother, she finally connects with herself in a way she never knew she lacked. When she meets her husband for a conversation, the pain of abandonment is no longer the same.