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This has all the ingredients of a sure-fire western adventure. Set in the latter part of the 19th century, Randolph Scott is ("Dan Mitchell") the marshall in Abilene who alongside his cohort Edgar Buchanan ("Sheriff Trimble") is trying to contain the restless farmers (led by Lloyd Bridges) and cattle drivers who are constantly at each other's throats whilst the encroaching railroad makes it's presence felt too. It's got loads of gunfights to keep it moving and even the romance (with the delightful Ann Dvorak and Rhonda Fleming) is not too interfering to the pacy, action-driven plot. As ever, for me anyway, the singing just gets on the nerves - though the twee lyrics that rhyme in the cheesiest of fashions always come in useful for a toilet break, or to boil the kettle - but I see little else of value in these instrumental breaks that frequently suck the momentum from the story. There was always something just a little too clean cut about Randolph Scott (a bit like Alan Ladd) for these kinds of parts, but here he is actually quite decent as he does his job and fends off the two women simultaneously, but the acting plaudits go to Buchanan who does most pf the heavy lifting. It's not great, this - but I like the genre, and found it quite watchable for 90 minutes.
In 1875, Katherine's life is shattered when her beloved husband Caleb falls victim to a murder orchestrated by the nefarious Colonel Davis. Alone and overwhelmed, Katherine’s path crosses with John Scobell, a Black man with a troubled past as a former Pinkerton agent. Despite initial reluctance, John is drawn to Katherine’s determination and the injustice of Caleb’s death. Together, they form an unlikely alliance fueled by a shared desire for retribution.
Former P.O.W. Jack Calgrove moves Heaven and Earth to be reunited with his children following the Civil War. After returning home, Jack discovers that his wife has tragically died and his children, presumed to be orphans, are heading deep into the West on a train crossing enemy lines, with the intent of being placed into new homes. Calgrove and another soldier team up with a troop of Native American sharpshooters and a freed slave as they try to stop the train.
A young Abigale Archer is left friendless and alone in a brutal Montana winter during the 1870s—fighting for survival and to retrieve her one earthly possession, her family’s horse, from a gang of bloodthirsty bandits.
Rancher William Norton refuses to sell his cattle for half price, so saloon owner and gang leader Jim Fletcher, contrary to the orders from his secret boss Willard McGowan, the town banker, has his men rob and beat up Norton. Unknown to anyone, Marion, McGowan's adopted daughter is really the daughter of Norton, who disappeared as a young baby when she and her mother were passengers on a stagecoach held up by McGowan. Chuck Saunders, Norton's foreman, goes after the gang for robbing his boss and eventually uncovers the truth regarding Marion's heritage.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.
Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.
A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
When his cattlemen abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his cowboys in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage, however, neither he nor the boys know that a gang of cattle thieves is stalking them.
After a cavalry group is massacred by the Cheyenne, only two survivors remain: Honus, a naive private devoted to his duty, and Cresta, a young woman who had lived with the Cheyenne two years and whose sympathies lie more with them than with the US government. Together, they must try to reach the cavalry's main base camp. As they travel onward, Honus is torn between his growing affection for Cresta.