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Donald Duck goes to a museum of modern inventions. After getting in without paying, he meets a robot butler who takes Donald's hat every time he sees him. Donald is very annoyed by this and magically fixes himself a new hat every time this happens and strolls on. Ignoring the sign not to touch it, Donald starts playing with a wrapping machine and ends up being wrapped himself. He also encounters and tries out a robot nursemaid and a fully automatic barber chair. They both don't do him much good.
Mammy features Al Jolson as the star of a travelling minstrel show, appearing in cities and towns across the U.S. Jolson falls in love with an actress in the troupe (Lois Moran), but she loves another (Lowell Sherman). Sherman is shot onstage as part of a comedy bit, and it is assumed that Jolson is guilty of putting the bullet in the gun.
At its peak, The Black and White Minstrel Show was watched by a Saturday night audience of more than 20 million people. David Harewood goes on a mission to understand the roots of this strange, intensely problematic cultural form: where did the show come from, and what made it popular for so long? With the help of historians, actors and musicians, David uncovers how, at its core, blackface minstrelsy was simply an attempt to make racism into an art form - and can be traced back to a name and a date.
Harry and Inez are a dance team at the Wonder Bar. Inez loves Harry, but he is in love with Liane, the wife of a wealthy business man. Al Wonder and the conductor/singer Tommy are in love with Inez. When Inez finds out that Harry wants to leave Paris and is going to the USA with Liane, she kills him.
Unusually elaborate for a PRC film, Minstrel Man is a lively musical drama built around the talents of veteran vaudevillian Benny Fields. The star is cast as Dixie Boy Johnson, who rises from the ranks of minstrel shows to become a top Broadway attraction. On the opening night of his greatest stage triumph, Dixie Boy's wife dies in childbirth. Profoundly shaken, he walks out of the show, leaving the baby to be raised by his showbiz pals Mae and Lasses White (Gladys George, Roscoe Karns). The kid grows up to be an attractive young woman named Caroline (Judy Clark), who follows in her dad's footsteps by billing herself as-that's right-Dixie Girl Johnson. This leads to a tearful reunion between Caroline and the father she'd long assumed to be dead. If Minstrel Man seems at times to be a dress rehearsal for Columbia's The Jolson Story (1946), it shouldn't surprising: the PRC film was directed by Joseph H. Lewis, who went on to helm Jolson Story's musical highlights.
Two attractive divorcees find that their newly realized independence continues to be guided by their respective parental obligations.
A famous novelist receives a large inheritance after his father’s passing. He rents out one of his inherited properties to a Japanese/Chinese woman named Elaine and they embark on an affair, causing rifts in his marriage with Jeanna Ho. One night, Elaine is suddenly found dead in the balcony of the house. When police start their investigation, they realize that there are a lot of suspicious factors to the case leading them to suspect that this is not their normal kidnapping or revenge against an unfaithful husband case.
Set in present-day Lucknow, Gulabo Sitabo is a social satire about two impossibly peculiar human beings, Mirza Chunnan Nawab, who stays in a dilapidated mansion and one of the tenants, Bankey Rastogi.
To earn extra cash, Mickey helps couples break up — but life gets complicated when he falls for Tinni, a career woman with an independent streak.
A woman in her golden years goes to college, where she befriends a group of younger students and gets into many misadventures.
As a cosmetics company employee deals with insecurities about her body image, she considers a transformation for a chance at a promotion.