Cirkusrevyen 2005

Cirkusrevyen 2008 med danmarks bedste revyskuespilllere: Ulf Pilgaard, Lisbeth Dahl, Henrik Løkkegaard, Ditte Hansen og Niels Ellegaard. Kvalitet, latter, humor og glæde - eller sagt på en anden måde, i en af de mange flotte femstjernede anmeldelser: Den er sjov og den er grov. Den er festlig og den er fræk. Den er flot ogden har et professionelt flow.

Celebrating 100 years since the birth of Norwegian actor and comedian Leif Juster, this presentation collects the most famous (and some more unknown) revue numbers from his long career. Compiled by NRKs revuehistorian Andreas Diesen.

Svea hund, complete title Svea Hund på Göta Lejon (Svea Dog at Göta Lejon), was a Swedish variety show produced by AB Svenska Ord. It was written by Hans Alfredsson and Tage Danielsson, commonly known as Hasseåtage and directed by Tage. The show premièred on 15 February (although it had a sneak première on 9 February) 1976 on the theater Göta Lejon in Stockholm. It was the last of the three "Dog-revues"; the first was Gröna hund (Green Dog) the second being Gula Hund (Yellow Dog). Both Hasse and Tage starred in various roles. Other cast members were Gösta Ekman, Monica Zetterlund, Lena Nyman, and Tommy Körberg. The song quartet EBBA (Lena Eriksson, Lars Bagge, Kersint Bagge and Bo Andersson) and Gunnar Svenssons Bandhundband.

Set in an urban fairytale, DeShawn (an unlikely anti-hero) is smack-dabbing in the middle of a peculiar crossroads. He is haunted by the ghosts of one hundred men: ex-“boyfriends,” in addition to the ghosts of everyone they dated. His days are filled with spiraling epiphanies and lucid, reckless bohemianism fueled by systemic poverty and HIV ennui. In this particular sketch he is relating his philosophy of the world to an unknown caller on his landline telephone while magically shrink-fitting a new pair of jeans that he recently shoplifted from Levi’s. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.

A wife and mom with secret dreams of being a stand-up comic uses a one night stand with a burned-out touring comedian to face the harsh but funny truths of her failing marriage, neglected aspirations, and individual identity.