Porcelana

Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

A headstrong young woman returns to New Orleans after the death of her estranged mother.

Ancient Egypt was vandalised by tomb raiders and treasure hunters until one Victorian adventurer took them on. Most of us have never heard of Flinders Petrie, but this maverick genius underook a scientific survey of the pyramids, discovered the oldest portraits in the world, unearthed Egypt's prehistoric roots - and in the process invented modern field archaeology, giving meaning to a whole civilisation.

Tiaga tells the story of a poor old woman, played by Isabel de Castro, to whom a good wizard offers the gift of youth to reward the help she provided him. A version of “Faust” seen through the female eye and featuring some unusual moments, such as a shot of a black goat while José Afonso sings, as well as nightmare sequences in which Tiaga is chased by the devil.

Naked, on the back of a sheep, soft office worker Willie rides trough the forest. His body is still in the office, but his mind wanders between dangerous flowers, li-los and an imaginary friendship for a soft sheep.

Commander Peter Kent of the Royal Navy and his wife May have three children, ranging form five to eleven years: Peter, Anne and Fusty. Kent comes home after three years abroad with no idea how to handle the children. When Mary has to fly to Canada, Peter takes his children to his father's new country home, which turns out to be a windmill. They end up clashing with an American family in the neighborhood.

Everything goes wrong when an agoraphobic misanthropist orders himself an imaginary enemy.

A girl starts to follow a guy that photobombed her selfie.

When a neurotic private eye who struggles to finish the case takes a train voyage, his own dark secrets begin to reveal themselves.

A week before her marriage, a woman injures a man in a car accident. As she helps nurse him back to health, she starts to doubt the course her life is taking. Her father, a powerful dictator, is not pleased with the change of plans.

The film begins with a series of events on a crowded outdoor market street. Women on stages perform "private" rituals: shaving legs and armpits, fixing their hair, etc. A woman tries to disrupt their "work." She struggles to set herself apart from them, to resist the forces of habit, but gradually becomes more involved than she is willing to admit. Although she sets in motion a chain reaction of rebellion, she isn't able to keep the momentum going. She stops before carrying it to the logical conclusion, and ends up on the stage herself. Can we hold a knife without stabbing ourselves? Can we hold a knife without even thinking of doing that? And do we need knives?