We're on the Jury

Rajan, a radio engineer, is found murdered in Madras during the tense World War II era, amid fears of a Japanese air raid on the city. CID officer Sivanandham investigates the case as each suspect—Rajan's wife, lover, relatives, and neighbors—narrates a different version of events, revealing hidden motives and secrets that lead to the truth.

A widowed field mouse must move her family - including an ailing son - to escape a farmer's plow. Aided by a crow and a pack of superintelligent, escaped lab rats, the brave mother struggles to transplant her home to firmer ground.

A revenge-seeking gold digger marries a womanizing Beverly Hills lawyer with the intention of making a killing in the divorce.

Rogers plays a small town banker in the 1890s whose chief rival is the deacon (Middleton) with whom he has traded horse flesh. Taylor is a bank teller who places a winning $4,500 bet on a 10-1 harness racing horse, making him Rogers' bank partner.

In this prequel to the original, a bloody power struggle among the Triads coincides with the 1997 handover of Hong Kong, setting up the events of the first film.

In a move to make his partner, Renato, jealous, the flamboyant Albin waits in a local cafe - dressed as a woman - hoping to be picked up. But Albin gets more than he bargains for when the fly he catches in his web is actually a spy, who uses him as an unwitting courier of secret microfilm. Now on the run from ruthless agents, Albin and Renato flee to Italy where they attempt to hide out on a farm, with Albin posing as Renato's wife. Can Albin escape the deadly pursuit of these relentless spies or does he have to sustain this charade - as a woman - forever?

11-year-old Johannes is found raped and murdered. Investigations lead to a pedophile ring and detective Stefan Lindman's dark secret.

Inspectors Tong (Shaw Brothers regular Pai Ying) and Cheng (Kent Cheng) are investing a psychopathic serial killer who has been raping and murdering prostitutes. With the help of a young prostitute, they follow the bloody trail to...

Deemed "the D.W. Griffith of Turkish Cinema," Omer Lutfi Akad directs this 1952 film based upon real events that took place in İstanbul, in the following years of World war II. It is about a love triangle that led to homicide. It was a stylistic departure of what otherwise had been typical of Turkish melodramas of the time.

A grief-stricken cantor in a crisis of faith finds his world turned upside down when his grade school music teacher re-enters his life as his new adult Bat Mitzvah student. The two forlorn souls develop a special connection.

Five different criminals face imminent death after botching a job quite badly.