Sugar Sweet

What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex ...

Video store clerk Ed agrees to have his life filmed by a camera crew for a tv network.

Rasmus defends his Ph.D in Danish literature entitled "The Romantic Idiot", but with his special qualifications there are not many jobs around. To reduce his study loan he settles for a temporary teaching job at an adult education programme in the provincial town of Korsør. Here, Rasmus meets a complex group of people and takes part in their lives. He falls dramatically in love with one of his pupils, Signe, who dreams of having a child with her partner, Camilla. Playing the role of a romantic idiot in Korsør just isn't plain sailing for Rasmus.

An abused wife's plan to escape her husband goes awry when she accidentally kills him, causing her to split on a cross-country drive with her best friend and his corpse in tow.

When nothing is sacred, everything is funny. More reality TV shows the networks wouldn't dare air from the warped minds at National Lampoon.

A plumber rejects many sexual propositions from his clients for the love of his wife. But one day, when he gets home, he finds his wife with another man in bed. From then on, the attitude to his clients will change radically.

Learning to love her luscious self over the past forty years, comedian Margaret Cho realized that the eye of the beholder doesn't hold all the power when it comes to beauty. Our tastes may be groomed by the media, but how we feel about how we look brings our self-image into focus. Armed with something more potent than lip gloss - a mouth so shocking and raunchy it should be stamped with a warning - Cho toured America with her manifesto: "This show is really about how we should feel beautiful," says Cho. "When you feel beautiful, you're going to have more of a willingness to use your voice to speak." Shot at the Long Beach Terrace Theater, Cho's latest stand-up concert film, Beautiful, explores the good, bad, and downright ugly in beauty, and the unattractive politicians and marketers who shape our world.

Estranged twins Lizzie and Shane are chosen for a Survivor-like popular game show with college scholarships as the prize.

Pie is a sweet girl who moves into a new college dorm room where she finds out that her new roommate Kim, is a tomboy who looks and dress like a boy. As their friendship develops, Pie and Kim begin to wonder if the feeling they feel for one another is just an ordinary friendship or true love.

A private eye who's over his head in debt takes on a job snapping photos of his client's rich husband in bed with another woman. But when the husband winds up with three bullet holes that seem to have come from the private eye's own gun, he's got to prove he's not the murderer meanwhile getting tangled deeper in a web of deceit, lies, and steamy night club dancers!

Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, "L.A. Slasher" explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent - purely through notoriety achieved through shameful behavior.