A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
This film tries to blow the whistle on what it calls the biggest swindle in modern history: 'Man Made Global Warming'. Watch this film and make up your own mind.
Joplin native Chip Gubera's documentary JOPLIN MISSOURI: A TORNADO STORY is a comprehensive, informative account of the devastation wrought on his hometown by a natural disaster and its subsequent recovery. On May 21, 2011 the deadliest tornado ever recorded struck Joplin, an F5 in which wind gusts exceeded 200 mph. In fact, it was not a single tornado, but a multi-vortex tornado created by two converging storms. As local meteorologist Jeremiah Cook explained, this meant that the half mile wide tornado had several "fingers," each an individual tornado, and the rains were so heavy one could not see them before they struck. Narrator George Noory's jovial voice and the monotone recollections of survivors belie the overwhelming scope of the devastation.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
Filmed in IMAX, a team of explorers led by Pasquale Scaturro and Gordon Brown face seemingly insurmountable challenges as they make their way along all 3,260 miles of the world's longest and deadliest river to become the first in history to complete a full descent of the Blue Nile from source to sea.
A big-screen look into one of America's most successful entertainment industries, NASCAR racing.
12,000 feet down, life is erupting. Alvin, a deep-sea mechanized probe, makes a voyage some 12,000 feet underwater to explore the Azores, a constantly-erupting volcanic rift between Europe and North America.
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)