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It's a great life if you don't weaken. The Fallen Idol (AKA: The Lost Illusion) is directed by Carol Reed and adapted to a screenplay by Graham Green from his own short story called The Basement Room. Additional dialogue was scripted by Lesley Storm and William Templeton, the music is by William Alwyn and Georges Périnal is the cinematographer. It stars Ralph Richardson, Bobby Henrey, Michèle Morgan, Sonia Dresdel and Denis O'Dea. Film is told thru the eyes of Phillipe (Henrey), the young son of a diplomat living at the French Embassy in London. With his parents often away from home, Phillipe has latched onto the family butler, Baines (Richardson), for friendship and guidance. Baines regales the boy with fanciful tales of adventure, but in truth Baines himself is unhappy, stuck in a loveless marriage to the shrewish Mrs. Baines (Dresdel). When Bobby happens upon Baines in the company of a young woman named Julie (Morgan), it thrusts the youngster into a world he doesn't understand, and when a tragedy occurs, Bobby is in danger of shattering the friendship between Baines and himself. The first of Graham Greene's literary works to be directed by the great Carol Reed, The Fallen Idol took some time to come out of The Third Man's shadow and be heralded in its own right. What transpires over 95 minutes is a tight psychological thriller that leaves a lasting image of childhood confusion, disillusionment and the innocence that's lost. Throw into the mix adult secrets, human conundrums and a gripping mystery investigation at its peak, and it's not hard to see why it's such a well revered picture. It's also a film that thrives on dialogue, again not surprising given that Green himself always said it was the best film adaptation of his work, while some of the deep-focus photography from Périnal adds real atmosphere to the proceedings. Richardson is superb, and he leads a hugely effective cast, where Dresdel is scarily witch like and Henrey, plucked from nowhere to star as the naive boy, paints an indelible portrait of a child struggling to comprehend the mysterious world of the adults around him. In support there is quality thespians such as Bernard Lee and Jack Hawkins. The ending is notably different to that in the original story, and no doubt about it, the original ending would have garnered a different reaction from many. But Greene was happy to change his own source for the screen, so if it's good enough for him then it surely is good enough for us? Certainly time has been kind to The Fallen Idol, it's Hitchcockian feel blended with literary smarts has made it a lasting favourite of critics and fans alike. 8.5/10
Lionel Twain invites the world's five greatest detectives to a 'dinner and murder'. Included are a blind butler, a deaf-mute maid, screams, spinning rooms, secret passages, false identities and more plot turns and twists than are decently allowed.
Molly is a ten-year-old girl who believes that if she learns to play the fiddle like her dad and wins the All-Ireland Music championship, her father will wake from his coma. Still in a coma, her dad is moved to a rehab centre, where Molly befriends Malachy, a grumpy old man who plays the fiddle beautifully and is told he has magic in his hands. They connect as she coaxes him to teach her to play and together they go in search of the magic that only music can bring.
Obsessive scientist Nathan and his lover, the naturalist Lila, discover Puff: a man born and raised in the wild. As Nathan trains the wild man in the civilized ways of the world, Lila fights to preserve the man’s natural state. In the power struggle that ensues, an unusual love triangle emerges.
Threats from sinister foreign nationals aren't the only thing to fear. Bedraggled college professor Michael Faraday has been vexed (and increasingly paranoid) since his wife's accidental death in a botched FBI operation. But all that takes a backseat when a seemingly all-American couple set up house next door.
A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.
A rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.
Edward Wilson, the only witness to his father's suicide and member of the Skull and Bones Society while a student at Yale, is a morally upright young man who values honor and discretion, qualities that help him to be recruited for a career in the newly founded OSS. His dedication to his work does not come without a price though, leading him to sacrifice his ideals and eventually his family.
When Nina and her high school friends receive eerie text messages declaring that they will all die within three days, they dismiss it as a hokey prank - until one by one, the pals start turning up dead in the alpine countryside. With the cops stymied, Nina and her remaining friends must scour their past for clues to identify the madman before he kills them all.
A success-hungry lawyer finds himself unable to turn his back on a suspicious case involving a child who claims she murdered her brother.
Khao Niao, a young girl, is left at her relatives' house by her mother. Although she is surrounded by familiar faces, she still feels very lonely and blames her mother for 'abandoning' her here. One day, while wandering around, Khao Niao finds a stray puppy.
Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.