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Murder, ethics and exploitation During the quarantine I have seen a lot of foreign cinema, and very little Mexican, which I want to amend. Of the three great contemporaries, Cuarón, Del Toro and Iñarritú, I have seen everything or almost everything, so let's diversify. There are three Retes films that I really liked at the time, each one with its limitations: El Bulto , Bienvenido/ Welcome and A sweet scent of death . This one in particular shows two of his personal obsessions: cinema about cinema, with a group of independent filmmakers at the center of the story, and casting his relatives, this time both his father and mother. Here the central performance of two greats stands out: Manolo Fábregas and Aarón Hernán. A smile comes to my mouth when I see the beginnings of Tina Romero and Paloma Woolrich. And 40 years later, my Mexico with the same problems: one law for the rich and another for the rest; violence against women; saving face more important than justice; and incidentally, the budget problems to do anything in cinema. Hernán's physical resemblance to then-president, José López Portillo, does not go unnoticed. The production design marks a radical difference between the impoverished filmmakers and the powerful ones surrounded by porcelain, sculptures and baroque details, even in the smallest piece of furniture. The last act, definitely falls into classic seventies exploitation, with blood, violence and nudity, to generate empathy for the characters, but also so that the public goes home scandalized.
Inspired by true events from the 1970s, the story revolves around a young detective who becomes the head of a police unit focused on catching a rampant serial killer of women, nicknamed 'The Silesian Vampire'.
Five ex-soldiers go to a small town in Oregon to help a friend investigate the murder of his brother.
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.
After Silvia Broome, an interpreter at United Nations headquarters, overhears plans of an assassination, an American Secret Service agent is sent to investigate.
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.
Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality.
A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
