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_**Elvira returns to the silver screen after 13 years**_ Elvira (Cassandra Peterson) is traveling through the Carpathian Mountains in 1851 with her servant (Mary Jo Smith). They’re on their way to Paris when they’re invited to spend the night at the creepy Hellsubus castle by a physician (Scott Atkinson). Richard O'Brien plays the tormented lord of the manor while Mary Scheer appears as his dubious wife. Heather Hopper is on hand as their cute niece, the poster child for catalepsy. “Elvira’s Haunted Hills” (2001) is the follow-up to “Elvira, Mistress of the Dark” (1988), the latter of which was a fun flick but failed at the box office due to its main distributing company going under just before it was scheduled to be released (it was supposed to show at 2500 theaters, but only made it to 500). Cassandra couldn’t get studio funding for this prequel and so she & her then-husband put up $1 million with an additional $500,000 from relatives. As such, this movie cost 6 times LESS than the previous one from 13 years earlier (factoring in inflation). While there’s a 13 year gap between these two films and Cassandra was 49 years-old during shooting, you wouldn’t know it by her fit form & all-around animated beauty. Another plus is the authentic Transylvania locations with a real castle (although the indoor scenes were obviously shot on studio sets). Despite the gross lack of funds compared to the prior movie, this one proves to be colorful and entertaining if you appreciate the eye-rolling goofy humor associated with Elvira. While the former flick is technically better due to having way more funds to work with, I like this one more as far as all-around entertainment goes. I suppose it’s because I favor the setting, which parodies 60’s horror flicks, like “The Pit and the Pendulum” (1961), “The Terror” (1963) and “Dracula, Prince of Darkness” (1966). It recalls horror send-ups “The Fearless Vampire Killers” (1967) and “Young Frankenstein” (1974), but I actually prefer this one despite the much lower budget and lack of ‘stars.’ The film runs 1 hour, 30 minutes, and was shot in Transylvania, Romania, with studio work done in Bucharest. GRADE: B-
British estate agent Renfield travels to Transylvania to meet the mysterious Count Dracula, who is interested in leasing a castle in London. After Dracula enslaves Renfield and drives him to insanity, the pair sail to London together and Dracula, a secret vampire, begins preying on London socialites.
In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.
13-year-old Jimmy Morgan is possessed by an evil too powerful to be exorcised by any religion. After escaping from a mental institution, Jimmy is back with a vengeance - and an army of children who follow his every murderous desire.
A young teacher on her way to a position in Transylvania helps a young man escape the shackles his mother has put on him. In so doing she innocently unleashes the horrors of the undead once again on the populace, including those at her school for ladies. Luckily for some, Dr. Van Helsing is already on his way.
A series of stupid coincidences causes the young Munich painter Paul to convert his uncle's castle into a hotel for four weeks. But he can't complain: business is good and he has plenty of guests. For exmple, there's Theo Muller with his revue troupe. For reasons of "sound", Muller calls himself "Miller", which, of course, causes more confusion. His daughter, the beautiful Evelyn, is confused with Mabel Miller, who has come to the hotel on a mission for her filthy rich father ... namely, to estimate the worth of the castle.
When a cynical journalist accepts a wager that he won't survive the night in a haunted castle, it unlocks an odyssey of sexual torment, undead vengeance, and a dark seductress who surrenders the gravest of pleasures.
Count Drago invites over entertainers to his castle, but what the people don't know is that Drago mummifies animals and humans!
A widow deceives her late husband's mother and brothers into thinking he's still alive when she attends the yearly memorial to his drowned sister, hoping to secure his inheritance, but her cunning is no match for the demented, axe-wielding thing roaming the grounds of the family's Irish estate.
In the sixteenth century, Francis Barnard travels to Spain to clarify the strange circumstances of his sister's death after she had married the son of a cruel Spanish Inquisitor.