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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
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> The return wasn't as exciting as the previous one. No surprise why this film failed to excite me, but a few people thinks its a passable sequel. The original movie was atypical, so the success followed it. In my perspective better that should have left as a one-off movie. But as a low budget product, they knew it was going grab back twice, thrice they spent because of the star value and indeed the first film's influence. There is no story, simply based on the usual Hollywood road adventure like the flicks 'Fanboys', 'Dumb and Dumber To', 'Not Suitable for Children' et cetera, except the character Ted which makes this theme a special. A couple of good jokes and that's it, the rest were ineffective, sometime keep repeating the same ones. The 2 hours in a too plain concept, is way too long to sit and watch/focus. The cameos were weak, or maybe worthless/meaningless, especially Liam Neeson's. The best things were the production quality, acting and like I mentioned before, the character Ted. For the one time watch, I think kind of manageable, but definitely not suitable for repeat viewing or to recommend it to the others. But overall, a little disappointed with the outcome. They have got one more chance to end this franchise on a high note as a decent trilogy if the next film gets a better storyline. 6/10
Ted 2 packs more unhumorous stuffing within its formulaic synthetic fur. MacFarlane is a talented comedian, I’m sure of it. His profusely crude humour captivating millions with his legendary ‘Family Guy’ TV show. Even ‘Ted’ was tolerable to a certain degree, and that’s saying something. Yet here we are, with an inevitable sequel, that essentially felt like a glorified episode of the aforementioned animation. It’s cutaway structure for unrelated gags. Relentless wave of pointless cameos. Ted becoming Peter Griffin. Close your eyes, let the voices infiltrate your senses and you’ll soon realise it’s just ‘Family Guy’, just less funny. Ted now married and struggling to maintain his relationship, has his rights taken away when he is no longer viewed as person but property instead. A particularly strong aspect to this comedy that more or less is the power source of its story, raising a civil rights lesson in ethics and morality. It was so *interesting* that Morgan Freeman himself got involved and slam dunked the jury with his God-like soothing voice. And despite Seyfried actually picking up the script’s remnants and transforming the scraps into a functional film, it’s utterly forgettable. So much so, that once Wahlberg becomes drowned in rejected semen samples (literally swimming with the sperm...), I experienced a moment of déjà vu (ironically, so did Ted). Surprisingly, I had seen the first half before. Yet it took me a decent forty minutes to encounter this epiphany, that’s how unmemorable this comedy truly is. It exercises all of the same plot points from its predecessor, the inclusion of the mentally unhinged Donny and the friendly break-up between the leads cement this sentiment, and rarely explored new avenues. Sure the friendly chemistry remained intact, but only one or two lines made me frustratingly chuckle, mostly due to Warburton’s comedic execution (urgh, that voice...). Besides that, there’s nothing here. Same old MacFarlane profanity. Worth a squeeze if you enjoyed the first film, but exhausts its preset lines of dialogue extremely rapidly. “I love you”? Eh, please don’t.
Once again, Bastian is transported to the world of Fantasia which he recently managed to save from destruction. However, the land is now being destroyed by an evil sorceress, Xayide, so he must join up with Atreyu and face the Emptiness once more.
Those rambunctious kids are back in school and back in trouble in a smash sequel to the 1978 worldwide hit. Corey Feldman leads a rock and roll rally at Ronald Reagon High, but must triumph over the evil plans of the school's fascist principal, Vadar, who wants to halt the school dance and run their school like a prison.
Timothy Lea and his brother-in-law Sidney decide upon opening a driving school as their latest get-rich-quick scheme. Though he sincerely wants to teach, young Timmy finds that his female students are far more interested in keeping their eyes on him than on the road.
To save the world, Mothra goes back in time in an attempt to defeat a younger King Ghidorah.
Set after the events of Continental Drift, Scrat's epic pursuit of his elusive acorn catapults him outside of Earth, where he accidentally sets off a series of cosmic events that transform and threaten the planet. To save themselves from peril, Manny, Sid, Diego, and the rest of the herd leave their home and embark on a quest full of thrills and spills, highs and lows, laughter and adventure while traveling to exotic new lands and locations.
Big Bird is sent to live far from Sesame Street by a pesky social worker, who thinks it would be better for him to live with other birds. Unhappy, Big Bird runs away from his foster home, prompting the rest of the Sesame Street gang to go on a cross-country journey to find him.
Raggedy Ann and Andy, along with other toys, reside in the nursery of a little girl named Marcella. During Marcella's seventh birthday, Babette, from France, is introduced as the new doll from a large package. Meanwhile, the lecherous Captain Contagious kidnaps Babette in his pirate ship and escapes from the nursery. Ann and Andy must explore and find Babette in the Deep Deep Woods to save her.
A week before Christmas, Kyon wakes up in a world where the SOS Brigade doesn't exist. Mikuru and Yuki don't recognize him, and Haruhi and Itsuki seem to have vanished.
After being busted out of jail by his tomatoes, Professor Mortimer Gangrene begins a new plot to take over the world by inserting his hapless lackey Igor into the throne of the King of France.