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Award winning director Dr.Biju’s Veettilakkulla Vazhi (The way home) handles a simple but impressive idea and in the process of narrating it, takes you across several parts of India. Though this one is a slickly packaged movie that is unlike most of its genre, it also ends up a superficial attempt which never really gets deep enough into your heart. Prithviraj plays a doctor, who has lost his wife and kid in a bomb blast in Delhi. While working in a prison hospital, a woman suicide bomber requests the doctor to find her son in a remote village in Kerala and hand him over to his father, a dreaded terrorist named Abdul Zuban Tariq. She dies soon after and quite curiously, Tariq is regarded as the mastermind behind the Delhi bomb blasts which killed the doctor’s family. Now the doctor finds the kid and the film is about their journey to find the terrorist. They go to Pushkar, Jaisalmer and Ladakh. The journey is a tedious one and the doctor is viewed with suspicion not just by the police, but also by the members of the terrorist outfit. But his intention is noble, which is to find the boy’s father and hand over his son to him. The doctor’s travels, his interactions with several people including a young terrorist named Razzak (Indrajith) are shown in detail. The story is progressing in a rather predictable format, without many surprises and that too, in a leisured way. And it leaves behind several doubts in the minds of the viewer. Like for instance, what if the suicide bomber died during the blasts? She didn’t care about her child until the moment when she found the doctor, just by chance? Writer-director Dr.Biju has modeled his film mostly in the conventional offbeat format and though it is developing in several significant places in north India, there is no real effort to give an essence of the places to the viewers. Still, it is quite an achievement that the director has tried to think beyond the boundaries of the state, which is in fact the relevance of the film as well. M J Radhakrishnan’s visuals and Ramesh Narayan’s music are really good. Prithviraj has to look serious and he comes up with a nice show. But his vibes with the young boy (Master Govardhan) lacks the fizz, which is quite surprising as it could perhaps have been more enjoyable if it was there. The rest of the cast that includes Indrajith, Dhanya Mary, Irshad, Lakshmipriya and Kiran Raj have done their brief roles pretty well. Veettilekkulla Vazhi has its moments but you may need some real patience on your part to find them in between. There is an attempt to take you along to various cultures across India, but it is generally not really effective mainly due to its unconvincing storyline. But still, there is a certain amount of sincerity that has gone into its making which needs to be appreciated
After living abroad, Lana returns to the United States, and finds that her uncle is a reclusive vagabond with psychic wounds from the Vietnam War.
North Korea's 8th Special Forces hijack a shipment of CTX, a potent new liquid explosive, and threatens South Korea as part of a plot to re-unify the two countries. Ryu and Lee, special agents of O.P., South Korea's secret intelligence service, attempt to track down the terrorists and find the CTX. Meanwhile Hee, the 8th's ultra-bad female sniper, resurfaces to wreak havoc and haunt Ryu.
Over the course of several years beginning in the 1950s, a man and his oddball family run hotels in New England and Vienna, as unexpected events change their lives forever.
Many years after a deadly terrorist siege in a Moscow theatre, survivor Natalya returns to the crime scene to hold a memorial evening, finally able to confront her survivor's guilt and her estranged daughter and husband.
Arián, a young Basque girl, idealistic but naive, joins a ruthless terrorist gang and, hoping to prove her commitment, volunteers to participate in the kidnapping of the daughter of an important businessman.
Salaam Kashmir revolves around two men - Tomy Eeppan Devassy and Sreekumar. Jayaram plays Sreekumar, a character who does all the domestic work expected from a wife in normal course. Into this peaceful world enters Tomy (Suresh Gopi) disrupting the domestic bliss and bringing out an unexpected twist.
Martijn, an idealistic Dutch pianist, travels to Morocco to help start a food program for malnourished children. Within moments of his arrival, however, Martijn is abducted by a group of terrorists, injected with a debilitating drug, and imprisoned. Under threat of death, the young man engages in a mental chess match with Ahmat, trying to learn his captor's true objective and avoid a horrible fate
Vijay's marriage is fixed to Pavitra, the daughter of a wealthy man. Things take a turn when Vijay accidentally meets Merin and falls in love with her.
Jone is a sixteen year old girl that lives in Bilbao (Basque Country) in 2009. In her highschool you can feel the independentist environment, demonstrations, strikes... are usuals between the students organizations. In this moment her dad starts to work int the Basque Government, between other things he has to go with body guards. This situation will change Jones life and she will have to learn to live between two worlds that she doesn't understand yet, and to understand that not everything is black or white.
During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.
Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.