The Sickie

Comedy short about Buddy Hackett as an incompetent bowler.

A story about a naughty mother, based on a poem by Alan Alexander Milne.

Hordes of green caterpillars dream of delicious and sweet apples. They have already prepared their teeth to hunt for the favorite fruits, as their leader decides to tell necessary instructions and organizes endless columns of his subjects. Will apples endure the war and survive?

On the occasion of a dance competition a young ballet dancer is in a foreign place. Alone in his hotel room loneliness overpowers him, until he meets a stranger on the run.

Three criminals pledge to free the soul of their friend from his gibbeted corpse in this short film based on 'The Highwayman' by Lord Dunsany.

A middle-aged man, Jake, vividly remembering the regretfully egocentric past of his young heyday. His dilemma is that he is yearning, seeking love, being loved.

Armand is a pickpocket. In stealing a camera, he did not expect to discover his portrait, pris sur le vif.

When a multitude of children go missing, one Detective must start to believe in more than just facts or history will soon repeat itself. A film inspired by the true story of Amelia Dyer. A woman who is was found guilty and hung for the murder of 6 children in the late 19th Century. Investigators later believed she had murdered over 400 children, over a 30 year span - making her one of Britains most notorious serial killers.

UN statistics say that there are more than 5000 women and girls killed by their own family members for the sake of their honor for reasons like westernizing, falling in love and getting married by their own choice to partners outside their castes and religions, engaging in homosexual acts and a lot more. They happen all over the world. Though there are approximate statistics of the lives lost there are no statistics of people who have spend their lives with the burden of guilt of killing their loved ones for the sake of their family honor.

The three female protagonists present their personal relationship with intravenous drug use, and their intimate confessions are filled with fear and insecurity but also love for the state of intoxication. Ambient music in the background and colourful textures multiplying over shots of the everyday reality of drug users create an almost dreamlike world. “I won’t feel the full effects the whole night, but it will help take my mind off things.”

Two sisters in a bathroom debate their different approaches to the patriarchy.