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The Scarlet Angel! Frenchie is directed by Louis King and written by Oscar Brodney. It stars Joel McCrea, Shelley Winters, Paul Kelly, Elsa Lanchester, Marie Windsor and John Russell. Music is by Hans Salter and cinematography by Maury Gertsman. Frenchie Fontaine (Winters) has sold her successful business in New Orleans and has come West to prosper further - or does she have an ulterior motive? In spite of some on line sources proclaiming this to be a remake of "Destry", which is a considerably better film as it happens, it really isn't a copy. The similarities are for sure there, but it is its own entity and deserves to at least be judged as such. We have a wonderful tried and trusted Western genre narrative thread where someone is out for revenge, only in this instance it's a foxy lady. Male suitors get in a tizzy about garnering her attentions, the bad guys potter about trying to avert suspicion - but do so badly, and there's some moral outrage from townsfolk who object to Frenchie's forthright money making success. While of course there's some truths to be born out - can open and worms everywhere type of thing. It's not very strong on the page, that's for sure, but there's plenty in the production to enjoy regardless. Cast are good value for the roles as written, not that there's any great chemistry between Winters and McCrea, but as she snake hips her way around town, and he fronts up with cool as a cucumber swagger, it's easy to just buy into the frothery of it all. The dialogue is often deliciously suggestive, the costuming is high quality (Yvonne Wood), and when action decides to make an appearance it's competently staged. Yet it's the cinematography that is the pic's best aspect. Maury Gertsman (Comanche Territory) is not a name that jumps off the page for cinematography notices, he definitely was a better purveyor in monochrome, but his Technicolor filters are excellent here. Then there's the gorgeous locales, where Buttermilk Country/Inyo National Forest please the eyes so much you wonder why these weren't used more often through the Western genre heydays? As a serious Western genre fan I wouldn't be comfortable putting this forward as a must see for like minded souls. However, for McCrea and Winters fans - and actually John Russell ones as well - this is no waste of time. 6/10
With a heavy haul of 250 kilograms of gold bullion, the grizzled criminal mastermind, Rhino, and his ruthless gang of cutthroats, head to a ramshackle retreat somewhere in the Mediterranean to lay low on a scorching day of July. However, the unexpected and rather unwelcome arrival of the bohemian writer, Bernier, his muse, Luce, along with a pair of no-joke gendarmes further complicates things, as the frail allegiances will soon be put to the test.
Shortly after Moody Pierson saves Sheriff Tim's life, Moody is arrested for murder. Tim doesn't believe he did it and lets him get away. Kicked out as Sheriff, Tim goes after the real kiler and this leads him to the town controlled by Red Slavins.
William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.
Dan and Tennessee are successful gold miners. Ace Brady learns of their success and sends Fox to rob them. During the robbery Fox shoots Tennessee and Ace arrives to arrest Dan for the murder. Dan escapes but is now a wanted man.
Upon receiving reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier, Capt. John Boyd investigates. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide - a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.
Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.
One-armed war veteran John J. Macreedy steps off a train at the sleepy little town of Black Rock. Once there, he begins to unravel a web of lies, secrecy, and murder.
After 25 years, an ex hired gun visits his old colleague, who is now a small town sheriff. Their past relationship is explored, as is how they reflect on it in the present.
Substituting for Allan Lane, who'd been called away to active military service, Bill Elliot stars in the Republic "Red Ryder" western Marshal of Laredo. This time, Red comes to the aid of a frontier lawyer, who is suspected of being an outlaw
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
Aging sidekick Lefty Brown has ridden with Eddie Johnson his entire life. But when a rustler kills Eddie, Lefty is forced from his partner’s shadow and must confront the ugly realities of frontier justice.