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**From the streetlight to the spotlight.** I know who's the director, but not the actors. Maybe that's the reason the film did not do as expected at the box office. But still theirs performances are not forgettable. Every one of them was amazing, they are the real singers and so the jobs done easily. I mean the filmmaking who understood the story and its characters and delivered accordingly. You might have seen many similar biopics and this is almost the same, but still there's lots to inspire from what you see. Since this music genre is different compared to the todays trend in the music industry, this film quite clearly brings back the 50s, 60s eras for us. So that's how this story appeals to its viewers. It was about the four member music band and their journey through the success and struggles for decades. What inspires is that, they are nothing like we see in todays musicians like drugs and sex stuffs. But the story had its share in those things, which might have been a huge for that time. The family, friends and music, the films very beautifully defines the differences. Between professional and personal life, how they lose grips is what obviously we see regularly in all the musician's biopics, but I'm talking about 50 years ago society and lifestyle. The things are different and how they managed or did they is the film to reveal. I really liked it and I wanted to rate higher, but I was bored a bit because it was a very long film. The pace was okay, so I managed and I think it is worth a watch, but only for the selected audience. _7/10_
It took me a while to get into it, but the final hour or so won me over. 'Jersey Boys' is, in my eyes, very good. I only knew of the film's title and vaguely what the group did beforehand; I knew so little that I assumed their name was 'Jersey Boys', rather than 'The Four Seasons'. I did recognise a few of the songs, though only ones at the end. Even with that so, it was interesting to see the story develop. John Lloyd Young, Erich Bergen, Michael Lomenda and Vincent Piazza are all enjoyable in their respective roles, with the standouts being Young and Piazza. The support cast, which notably includes Christopher Walken, all give more than satisfactory showings. Kinda surprised me, this one. As alluded to, I wasn't really feeling it across the opening chunk of the 134 minute run time and yet by the end I felt happy at what I had just watched. Recommended.
In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.
A chronicle of Cyndi Lauper's meteoric ascent to stardom and her profound impact on generations through her music, ever-evolving punk style, unwavering feminism and tireless advocacy. This documentary takes the audience on an engaging exploration of a renowned and pioneering artist who has left a remarkable legacy with her art.
Electricity titans Thomas Edison and George Westinghouse compete to create a sustainable system and market it to the American people.
Director Ted Brooks and comedians Jack Norcross, Dandy Joslyn and Phil Miller are part of a troupe of promising young players rehearsing for a WPA show at the Garrick Theater in New York and are stunned when the government withdraws their funding on the day of the show's dress rehearsal. Destitute, the troupe plans to return home when Mac, the stage doorman, offers to allow four of the men, Phil, Dandy, Jack and Ted, to use the theater for a boardinghouse. After accepting Mac's offer, the men improvise bedrooms out of the set pieces and meet amateur actress Lorie Fenton from Cleveland, who is eager to audition for them. When the men learn she recently received a small inheritance, they allow her to audition, hoping she will back the show.
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
The story of a German singer named Willie who while working in Switzerland falls in love with a Jewish composer named Robert whose family is helping people to flee from the Nazis. Robert’s family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song “Lili Marleen”.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.
A history professor and his wife entertain a young couple who are new to the university's faculty. As the drinks flow, secrets come to light, and the middle-aged couple unload onto their guests the full force of the bitterness, dysfunction, and animosity that defines their marriage.
A biopic of writer Truman Capote and his assignment for The New Yorker to write the non-fiction book "In Cold Blood".
A seven year old boy struggles to make sense of words on the page. But when Mike is diagnosed with dyslexia and the teachers continue to fail him, his mother takes matters into her own hands to help her son fulfil his true potential.
Thursday 27th of October 2016 – Teatro Espace, Turin. Mulatu Astatke is a musician, composer, arranger and Ethiopia’s cultural ambassador. He’s known as the godfather of ethiojazz, a unique blend of jazz, traditional Ethiopian music, latin, caribbean reggae and afrofunk. Born in 1943 in Jimma, Mulatu studied music not only in Ethiopia but also in UK and USA. In 2005 he contributed to the soundtrack of Jim Jarmusch’s film “Broken Flowers”, reaching a new public worldwide.