War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Now look at this, someone made the Handmaid's Tale into something watchable. You know what the difference between this and the series is? I'll give you a hint it's two things... do you have it yet? Time and story. The TV show has FAR too many episodes, and each is far too long to tell a compelling story. The 1990 HBO version is only about 100 minutes. It's not dragged out to the point where it is filled to overflowing with, well, with filler. It delivers a clean and concise story that didn't spare a cut. And because of that it works. But.... it also has Faye Dunaway, and it has Natasha Richardson, and it has Robert Duvall, and it has Aidan Quinn... and those are all people that everyone would be honored to cast, and they were certainly people that anyone would be thrilled to cast back in 1990. So, what you have is a clean script that is void of unnecessary filler (and in the case of the TV series, free of painfully long unnecessary filler) and that script is acted out by some of the best people in the industry. You can't ask for more.
Yikes, but there must have been some volume of hairspray used in this production that makes the "Stepford Wives" look like an ordinary family street. The women are divided into two groups in this futurist version of the USA. The blue are the privileged and wealthy, the red are the surrogates in a society that cannot now readily breed. A few lucky men are the commanders, lording over everyone and having their own fun trying to conceive children much as roosters fertilise hens. "Kate" (Natasha Richardson) is one such red dress. She is to be indoctrinated into the mansion run by "Serena Joy" (Faye Dunaway) so she can service the sexual needs of the boss (Robert Duvall). Now they only have a certain amount of tries at the conception lark, and if they don't come up with the goods then they go back to an homeless oblivion. She isn't getting pregnant but nobody dares to ask if it's the "Commander" who is firing blanks so she befriends him, tries to earn his trust whilst all along making plans with his driver "Nick" (Aidan Quinn) to get the hell out of the place. She might just be in luck as there is an increasing unrest amongst society at large with this hierarchical and zealous societal structure that sees the wealth - money, food and children, in the hands of very, very few. It's starts off quite intriguingly but pretty quickly runs out of steam with some really stilted performances and dialogue - despite having Margaret Atwood and Harold Pinter as the wordsmiths. Dunaway doesn't really appear enough to make much difference and by half way through I thought that it might have worked better on stage - though whether I'd have bothered to leave the bar after the interval is a good question. It's all adequate enough, just nothing special.
In the near future, a company called Xchange owns a mind transference technology that enables instantaneous travel by swapping bodies with someone at the destination. A member of the privileged corporate class ("Corpie") Xchanging for the first time unwittingly switches bodies with a terrorist. Forced to hide in a limited life span cloned body with just 2 days remaining, he races against time to stop the terrorist and regain his body.
In the hazy aftermath of World War III, the fallout from a 'nuclear misunderstanding' is producing strange mutations amongst the survivors, and the noble Lord Fortnum finds himself transforming into a bed sitting room.
In this fictional documentary, U.S. prisons are at capacity, and President Nixon declares a state of emergency. All new prisoners, most of whom are connected to the antiwar movement, are now given the choice of jail time or spending three days in Punishment Park, where they will be hunted for sport by federal authorities. The prisoners invariably choose the latter option, but learn that, between the desert heat and the brutal police officers, their chances of survival are slim.
A young Englishman dreams of escaping from his working class family and dead-end job as an undertaker's assistant. A number of indiscretions cause him to lie in order to avoid the penalties. His life turns into a mess and he has an opportunity to run away and leave it all behind.
When married British women Rose Arbuthnot and Lottie Wilkins decide to take a break from their respective spouses, they stay at a castle in Italy for a quiet holiday. Joining the ladies is Caroline Dester, a young socialite, and Mrs. Fisher, an older aristocrat. Liberated from their daily routines, the four women ease into life in rural Italy, and each finds herself transformed by the experience.
When Vilem appears in the road with an unconscious young woman, it disturbs the peaceful life of three generations of the Balvínova family.
In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.
Cashier Maurice Legrand is married to Adele, a terror. By chance, he meets Lucienne, "Lulu", and make her his mistress. He thinks he finally met love, but Lulu is nothing but a streetwalker, in love with Dede, her pimp. She only accepts Legrand to satisfy Dede's needs of money.
Commissioner Leon (Miguel Angel Landa) of the Technical Judicial Police is assigned to the kidnapping of a child of the upper class of Caracas. The details of the kidnapping the attention of Leon, as there is no evidence of violence in the child's home, or witnesses to the abduction. Based on that Leon believes that the hijackers knew the boy and soon begins to suspect several young people from wealthy families of Caracas.
Teenage gang member Cal, hides his sexuality from his fellow gang members despite their often violent dislike of anyone that isn't the same as them, be they unsuspecting shoppers, foreign students, gays, etc. When his world collides with Olivier, a student he rescues from a pointless beating, he encounters a lifestyle that presents as many new experiences as it does obstacles.
Photographer Charles Castle is numbed with grief following the death of his beautiful bride. He goes off to war, working in the trenches as a photographer. Following the war and still in grief Charles is given some photographs purporting to be of fairies. His search for the truth leads him to Burkinwell, a seemingly peaceful village seething with secrets