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Spike Lee is an unfortunate instance of a very talented filmmaker who's obvious talent in craftsmanship doesn't come across in contemporary mainstream cinema because of issues having nothing to do with cinema itself. I realize that in becoming great at anything in one's life, other things have to suffer, and with him it seems, at least to me, that for everything he has undoubtedly accomplished in the filmic realm, it's created a type of 'idiot savant' (it's simply an existing term--I certainly don't mean it pejoratively)--that is, in social skills, at least pertaining to self-marketing, or getting across one's persona in the field, he is lacking--and it negatively impacts his cinema. And that's a dirty rotten shame, because this was a fine film. He and his excellent approach to cinema remind me of the Heisenberg principle and make me: a) wish Lee could find more happiness in his life, so that he can come across better, and thus have his personality not negatively influence cinephiles like me; and b) wonder, like in 'A Beautiful Mind', if he was happier and more pleasant, if it would negatively impact his filmmaking? Philosophical questions such as this tend to keep me up at night, unless I have some red wine, milk or chamomile tea to wear me out and soothe me. 'Clockers' worked for me. Keitel was really on a roll when he worked in this, with 'Bad Lieutenant', 'Reservoir Dogs', 'Pulp Fiction' and 'Smoke' all around this time. It was certainly a great vintage for him, and a fine time to sample his acting.
This is a criminally underrated gem, a urban movie about drug dealers that feels nothin like your typical gangsta movie, it doesn't have constant rap playing the whole way through, but a poignant classical soundtrack from Blanchard, Albeit still great 90's hip hop in it. The emotion and color of the sets are tangible. I wouldn't really call this a Spike Lee joint, because Scorsese produced it, it has a much more professional and serious feel than Spikes previous corny work. The 90's Brooklyn hip hop street reality feel is there but this film hits a much deeper note in the soul, skip the mainstream trailer, it might be the reason this failed in the mainstream, when it sours with true underground heads.
Thought this movie would've been better. Pretty boring not much action or anything to keep you interested.
Young Jeremiah lives in a stable environment with loving foster parents until the day his troubled mother, Sarah, returns to claim him. Jeremiah becomes swept up in his mother's dangerous world of drugs, seedy hotels, strip joints and revolving lovers. Salvation comes in the form of the boy's ultrareligious grandparents, but soon Jeremiah's mother returns. Maternal love binds the pair together on the road until Sarah's desperate and depraved lifestyle finally consumes her.
In underworld terms, Chas Devlin is a 'performer,' a gangster with a talent for violence and intimidation. Turner is a reclusive rock superstar. When Chas and Turner meet, their worlds collide—and the impact is both exotic and explosive.
A young rock band, half from England and half from the US, drop out of college and move to the Sunset Strip to chase their dreams.
A young Englishman dreams of escaping from his working class family and dead-end job as an undertaker's assistant. A number of indiscretions cause him to lie in order to avoid the penalties. His life turns into a mess and he has an opportunity to run away and leave it all behind.
A dangerously disturbed Vietnam veteran struggles with life 15 years after his return home, and slowly falls into insanity from his gritty urban lifestyle.
A black detective becomes embroiled in a web of danger while searching for a fortune in missing drug money. During the course of his investigation, he encounters various old connections, ultimately confronting the criminal responsible for Shame's expulsion from the force. He must also deal with two women, Angela, a beautiful old flame, and Peaches, his energetic but annoying sidekick.
A Brooklyn pier racketeer bullies boat-owners into paying protection money but two fed-up fishermen decide to eliminate the gangster themselves rather than complain to the police.
Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD's sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.
Breaking Glass is the story of punk singer Kate and her meteoric rise to stardom. Starting out in the rock pubs of London, Kate, assisted by her manager Danny, becomes a huge star overnight. Once at the top the pressure is immense as Kate's band are squeezed out and she is left to cope alone in the spotlight.
A small-time crime boss kills a drug dealer without realizing that the drug dealer works for the biggest crime boss in the country.
A young man turns from drug addiction and petty crime to a life redeemed by a discovery of compassion.