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There are two things that just aren't allowed on cattle drives: women and whiskey. Canyon River (AKA: Cattle King) is directed by Harmon Jones and written by Daniel B. Ullman. It stars George Montgomery, Marcia Henderson, Peter Graves, Richard Eyer, Walter Sande, Robert J. Wilke and Alan Hale Jr. A CinemaScope/De Luxe Color production, music is by Marlin Skiles and cinematography by Ellsworth Fredricks. Montgomery plays rancher Steve Patrick, who along with his mischievous foreman Bob Andrews (Graves), embarks on a lucrative cattle drive from East to West along the Oregon Trail. What Steve doesn't know is that there are plans afoot to relieve him of everything. Standard Oater this one but never boring and as a production it looks very nice indeed. The problem mainly is that it gets caught between two aims, it clearly wants to portray the harshness of a cattle drive and build suspense by way of back stabbing ideals and group dynamic pressures, but it never utilises the plot possibilities. The set-up is fine, Steve Patrick is a top man, a guy you want on your side, but the only cattle hands he can raise for the job are outlaws and ruffians. Led by George Lynch (Hale Jr.) they are one of the most none threatening bunch of crims to grace a 50s Western! There's some expected problems on the trail, but when the biggest gripe from the tough guys is that they have no meat to eat, you know that peril is in short supply. With Janet Hale (Henderson) and her young son Chuck (Eyer) joining the trail as cook and aspiring cowboy respectively, there's the inevitable romantic strand slotted into proceedings, complete with absent father yearnings. Again this is pretty much wasted as a chance to put some bite into the tale, this in spite of the rumbling love triangle arc. Action is in short supply, with a little gun play, a fist-fight and some stampede control briefly raising the pulse, while the villains are only peripheral characters (a shame to see Wilke underused). Yet for all its missed opportunities, the story is a good one. The basis of driving cattle the wrong way as opposed to the norm, and in Winter time as well, is interesting. As is the fact that Steve is cross-breeding the cattle to withstand the Winter months, with the commodity of beef being crucial to the cowboy's livelihood. There's clearly some thought gone into the screenplay, even if the makers forgot to add suspense to the tantalising threads that they dangle throughout. 6/10
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn.
Renegades trying to get the army to abandon their fort get the Indians addicted to whiskey, then convince them to attack and drive out the soldiers.
Two estranged siblings return home to the sprawling ranch they once knew and loved in order to care for their ailing father.
Cheyenne Jones comes to the Blue River Ranch and asks for a job as a cowpuncher. Actually, Jones's real name is Buck McCloud and he's the new owner of the spread, having inherited it when his uncle died a year earlier. He's roaming the range incognito while trying to identify who's behind the cattle rustling that is afflicting his new business.
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Harrah. Together with a fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.
Marshall "Big Jim" Cole turns in his badge and heads to Wyoming with his family in order to settle on some land left him by a relative. He faces opposition both from a neighbor who wants that land for his own sons, and from a grizzly bear nicknamed "Satan" who keeps killing Cole's livestock.
Cattle king wants Reagan's small ranch, and Latina beauty Lola McLaughlin. His men kill Reagan's pregnant wife. Reagan leaves his tin badge on Consuela's grave, and with Winchester, scattergun, and Colt, rides alone against a hundred.
Jerry Johnson inherits a 50,000 acre ranch. Lucky Miller wants to take over the ranch. Roy is trying to get a railroad spur right of way. Lucky has a woman come west to marry Jerry to get control of the ranch. After the wedding, Lucky has the owner killed. Roy’s gun is substituted for the murder weapon, so Roy is put in jail.
A man who's a dead ringer for the leader of an outlaw gang kills the gang leader, then takes his place to try to bring the gang to justice.