I'm a Stranger Here Myself

An intimate portrait of the pioneering artistic collective Grupo de Cali, whose work is now considered a fundamental part of Colombia’s film history.

Documentary about Finnish film theaters - about their past, disappearance and future. And at the same time universal story how cinema is undeniably connected with life.

Werner Herzog interviews guests on the art of filmmaking.

Discovering that sharks are being hunted to extinction, and with them the destruction of our life support system - activist and filmmaker Rob Stewart embarks on a dangerous quest to stop the slaughter. Following the sharks - and the money - into the elusive pirate fishing industry, Stewart uncovers a multi-billion dollar scandal that makes us all accomplices in the greatest wildlife massacre ever known.

Working largely uncredited in the Hollywood system, storyboard artist Harold and film researcher Lillian left an indelible mark on classics by Alfred Hitchcock, Steven Spielberg, Mel Brooks, Stanley Kubrick, Roman Polanski and many more.

A documentary film about cult director José María Zabalza. How he made pictures with very little money and was granted little recognition.

An epic exploration of the Czechoslovak New Wave cinema of the 1960s and 70s, structured around a series of conversations with one of its most acclaimed exponents - Closely Observed Trains director Jiří Menzel.

King of Horror, legendary actor, scriptwriter and director, Paul Naschy is regarded as the Spanish Lon Chaney and the most prolific filmmaker dedicated to the fantastic cinema in Spain.

This documentary, hosted by actor Burgess Meredith, explores the life and career of movie director Otto Preminger, whose body of work includes such memorable films as Anatomy of a Murder, Exodus, Laura, Forever Amber, Advise and Consent, In Harm's Way, The Moon Is Blue, The Man with the Golden Arm, and many other movies made from the '30s through the '70s. Interviews with actors Frank Sinatra, Vincent Price, James Stewart, Michael Caine, and others who worked with the flamboyant and sometimes control-obsessed director add information and insight to the story.

In one of the world's largest and oldest refugee camps, Dadaab, the inhabitans survive by watching films and dreaming. The refugees cannot leave the camp, but they let their minds escape the harsh reality: by going to the simple cinema hall run by Abdikafi Mohamed, the film's protagonist.

"Ni Muy Muy, Ni Tan Tan, Sim­ple­men­te, Tin Tan. Tin Tan was one of the grea­test com­de­dian-​ac­tors in the his­tory of Me­xi­can Ci­ne­ma. He be­gan his film ca­reer du­ring the early years of what be­ca­me the Gol­den Age of Me­xi­can Ci­ne­ma. Th­roughout the ma­jo­rity of his mo­vies he plays the cha­rac­ter of a pa­chu­co; the Chi­cano/Me­xi­cano in zoot suit, th­ro­wing out the ti­ri­li ph­ra­ses and words, and jam­min the jitty-​bug. With the sty­le and the slang down to a tee, he was pi­cked up in Cd. Jua­rez Chihuahua by an ac­ting trou­pe. Tou­ring ex­ten­si­vely th­rough-​out Me­xi­co with the trou­pe lan­ded him in Me­xi­co City with film con­tracts. It was in tho­se films that Tin Tan ex­po­sed the ima­ge of the pa­chu­co, which Me­xi­can Youth adop­ted. From the de­sert bor­der-​towns of Jua­rez y El Pa­so the sty­le took off in va­rious parts of the coun­try, most no­ta­bly in Me­xi­co City