A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Emmas Big Adventure 2024 - Movies (Jan 17th)
Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
A Quiet Place Day One 2024 - ()
Cabrini 2024 - ()
The Bad Shepherd 2024 - ()
The Bouncer 2024 - ()
Tuesdays Trash 2024 - ()
Emmas Big Adventure 2024 - ()
Balloonerism 2025 - ()
The Girl Who Cried Her Eyes Out 2024 - ()
Clear Cut 2024 - ()
You Gotta Believe 2024 - ()
Wolf Man 2025 - ()
My Divorce Party 2024 - ()
Back in Action 2025 - ()
Henry Danger The Movie 2025 - ()
Alarum 2025 - ()
Ed Hill Stupid Ed 2024 - ()
Alien Rubicon 2024 - ()
Smile 2 2024 - ()
Gabriel Iglesias Legend of Fluffy 2025 - ()
The Substance 2024 - ()
The best psychological drama I've seen in a long time. I can't even remember anything that comes close.
**Something abstract and disconnected, not worth seeing more than once in our life.** This is one of those films that puts such a huge barrier between the audience and the screen that it seems like we're not even being taken into consideration by the producers. Despite the attempts, there is not a single sympathetic or palatable character, the script does not help and the feeling that hangs in the air is of a lack of connection and solidity in the final product that can only be explained if we think about the way the director wanted to be. abstract by force. Everything takes place around a chic striptease club, Exotica, in Toronto. There is a dancer who enchants not only a client who goes to see her every day, but also the presenter, who is her ex-boyfriend and one of the most possessive and unhappy people we can imagine. Add to this an animal trafficker with problems admitting homosexuality who is forced to participate in a revenge plan, and we have a film that we probably won't want to see more than once. Atom Egoyan gives us firm direction, but a much less secure and solid script. I like the way it addresses loss, trauma, the feeling of denial of reality and grief. However, to believe that a woman would set up an elegant strip club and her daughter would have the courage to take over the “family business” is to completely ignore the realities of these commercial establishments, where legality and illegality sometimes go hand in hand. A real luxury house would never hold private sessions on tables in the main room for a low price, but in separate rooms for a much higher price, and real strippers don't usually dance to the same music and use the same stage number constantly. There are also huge holes that the script never explains and that are left hanging. For example, why did Christina decide to become a stripper if it is clear, from the characters' words, that that is not the place she deserved to be. Bruce Greenwood is the actor who deserves the most praise for his work here. He is the only one trying to break the ice and reach out to the public in some way, and that deserves an applause from us. Elias Koteas is not that good, but he also does work that can be considered positive. Mia Kirshner, on the other hand, seems to be disinterested and just trying to make some money without much effort. Don McKellar is no better, and Arsinée Khanjian has an absolutely ill-conceived and poorly made character. On a technical level, it is an uninteresting film, to say the least. It is within the range of what one would expect to find in a film with aspirations to be commercial, but which seems to be more popular with festivals and film cycles than with the mass public. The positive highlight is the design of the strip club scene, something tropical I would say, and the soundtrack, which includes a good song by Leonard Cohen.
Matthew (Steve Verhulst) an older, self-absorbed, boring, travel worker meets Anna (Sofia Sparta) a young, wild, multifaceted artist that is looking to push the boundaries of society for the acceptance of her own work.
A depressed man spirals as he struggles to open up about his mental health. James, a mid-20s modern day man, has battled with anxiety and depression for an unknown amount of time. It’s unclear what caused is and the solution is even more ambiguous. While he has a loving group of friends and a caring partner, he cannot bring himself to open up, even when directly asked about it. This causes an inner conflict for James. He cannot speak about it, he can’t resolve his issues and the contemplative suicidal thoughts are too extreme to entertain. And so he is trapped with his life sentence, with his mind as his prison. He indulges in substance abuse and often imagines pretend scenarios to escape, but these fleeting feelings only make matters worse.
A young college student who’s struggling financially takes a strange babysitting job which coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret, putting her life in mortal danger.
"Reunion 2" continues the story of four friends who came from different parts of the world to meet again at their hometown of Plovdiv, 20 years after they left. This time they unite to help a fifth friend who is trying to save one of the last wild beaches at the southwest of the Black Sea from construction. As one of them is an actor, they decide to make a movie about their story and to buy out the beach with the profit. This leads to bunch of comedic and dramatic situations where their friendship and their relationships with their significant others are put on the line.
Harry is a 23-year-old former boy band idol who is watching his younger brother Max, 16, follow in his footsteps. Harry has detoured on his way to a Japanese concert tour to escort Max on a long-promised camping adventure. Their trip begins on a note of camaraderie but quickly turns serious as old wounds resurface, forcing them to come to terms with their dysfunctional past-Harry's drinking problems, his disconnection from the family, and, most of all, his relationship with Max and the emotional dependency that keeps them from moving into adulthood.
While producing a reality TV show, a teenager meets a magician whose powers are real but put him in danger.
Harper is a cynical private eye in the best tradition of Bogart. He even has Bogie's Baby hiring him to find her missing husband, getting involved along the way with an assortment of unsavory characters and an illegal-alien smuggling ring.
Farid, who works abroad, locks himself on the last day of his stay in Beirut in his son Rawad's room, to find what he is hiding there. Separated by a locked door, the dysfunctional dynamic between them intensifies, and the past resurfaces.
Set in the fictional dystopian city-state of Khansaar, the film follows the friendship between Deva, a tribesman, and Varadha, the prince of Khansaar. When a coup d'état is planned by his father's ministers and his relatives, Varadha enlists Deva's help to become Khansaar's undisputed ruler.
Tells about Tenri's arranged marriage with his cousin Faizal. Tenri, who already has a boyfriend named Mario, refuses the match. Granny's anger, as well as her uncle Umar's torment, does not make Tenri change her mind. Tenri considered that coercion and torture harmed ancestral customs and habits.
Losing her lover, mother, and hope for tomorrow, Gisele, the daughter of a crime syndicate, is forced to confront its oppressive leader – her father.