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The One Show - (Mar 29th)
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In a town that is quite possibly the wettest place on Earth, the permanently raincoat-clad "Karrer" (Miklós Székely B) goes through the motions with a life that is little more animated than his dreich surroundings. What sustains him through the grand ennui of his existence is his love for the married singer in the gloomy "Titanik" bar (Vali Kerekes) for whom he declares, repeatedly, his undying love and for whose husband "Willarsky" (Gyula Pauer) he has little but contempt. Luckily for him, though, the guy is in almost permanent debt so is away frequently enough for the two to indulge their relationship, infatuation, addiction now and again. That's about the height of it. Can this ever decreasing circle ever change? What's quite intriguing about this cinematic festival of monochrome melancholia is that the story is almost irrelevant to what Béla Tarr seems to be offering us here. The photography is dank and dreary, the constant tracking shots, panning shots, lingering close ups of the rain dripping from branches or the faces of the customers in the bar - none of those actually do anything to support the plot, but they add a delicious richness to the whole allure of this film. There's a song - almost as depressing as the weather, completed by a gentle saxophonist that I felt rather summed up the whole ambiance of this glacially paced exercise in bleakness. I'm no film critic and am not in a position to write some extensive exposition on what motivated the director or how original his techniques at story telling are, I can only judge what was put before me for two hours and though, yes, at times it is downright dull, at other times it was a bit like wandering through an art gallery where the light (or shade) brought something out of the blandness of the scenario. It won't be for everyone as there really isn't that much actually happening, the dialogue is pretty sparse and the repetitive nature of the plot development might be risky for an audience required to focus for a couple of hours where the sight and sound of constant rain might just start to feel like a drip on your head. I'm not sure I'd ever watch it again - but as an exercise in epitomising the depressiveness of the routine, the hopeless and the pedestrianism of daily life, it's worth a watch. You probably ought to watch it in a cinema, though - at home on a television it will lose much of it's photographic distinction and you might just be tempted to hit fast-forward now and again.
When a young boy makes a wish at a carnival machine to be big—he wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman.
As a child, the brutal murder of her family made Alexis regain her hearing along with synesthetic abilities. Now as an adult, she finds solace in the sounds of bodily harm. But when she’s told she might lose her hearing again, she escalates her gruesome sound experiments in a quest to compose her masterpiece.
Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.
Elizabeth has just been through a particularly nasty breakup, and now she's ready to leave her friends and memories behind as she chases her dreams across the country. In order to support herself on her journey, Elizabeth picks up a series of waitress jobs along the way. As Elizabeth crosses paths with a series of lost souls whose yearnings are even greater than her own, their emotional turmoil ultimately helps her gain a greater understanding of her own problems...
A mentally ill man searches New York for his missing eight year old daughter. He recreates her steps each day hoping for some clue to her disappearance, until he meets and befriends a woman with a daughter the same age. Could she help him with the missing piece of the puzzle?
The rise and fall of salsa singer, Héctor Lavoe (1946-1993), as told from the perspective of his wife Puchi, who looks back from 2002.
A meditation on love and its various incarnations, set within a community of friends in Oregon. It is described as an exploration of the magical, mysterious and sometimes painful incarnations of love.
Two souls arrive in a small town, one on vacation, the other to meet a lover. They spend the most magical dream-like days of their lives in that town... with each other.
Teresa and Peter settle down in their new home after the wedding. Things are going well until her childhood furniture arrives, sending Teresa into horrible flashbacks of turmoil from memories of her youth.
Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with an up and coming dancer, Nora.
A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.