España otra vez

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Spain, 1939. In the last days of the Spanish Civil War, the young Carlos arrives at the Santa Lucía orphanage, where he will make friends and enemies as he follows the quiet footsteps of a mysterious presence eager for revenge.

In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.

Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.

It is the year 1936 and the Spanish Civil War is raging. When the German commander of an international brigade is badly wounded he gives his five comrades a message which he divides up and secretes into in five cartridges. All five shells must reach the battalion in order for the message to be relayed. But Frenchman Pierre can’t bear the heat of the Sierra. When he leaves their hide-out to drink from a well he is hit by an enemy bullet.

The film centres on Moncho and his coming-of-age experience in Galicia in 1936. Moncho develops a close relationship with his teacher Don Gregorio who introduces the boy to different things in the world. While the story centres on Moncho's ordinary coming-of-age experiences, tensions related to the looming Spanish Civil War periodically interrupt Moncho's personal growth and daily life.

Imprisoned during the Spanish Civil War, John "Kit" McKittrick is released when a New York City policeman pulls some strings. Upon returning to America, McKittrick hears that a friend has committed suicide, and he begins to smell a rat. During his investigation, McKittrick questions three beautiful women, one of whom has a tie to his refugee past. Pursued by Nazi operatives, McKittrick learns of the death of another friend, and begins to suspect the dark Dr. Skaas.

Spain in the 1930s is the place to be for a man of action like Robert Jordan. There is a civil war going on and Jordan—who has joined up on the side that appeals most to idealists of that era—has been given a high-risk assignment up in the mountains. He awaits the right time to blow up a crucial bridge in order to halt the enemy's progress.