My Makhzen and Me

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

The agriculture reforming process, after the 1974 revolution, is seen through an analysis of the social structures and class struggles of the Portuguese society.

In the panorama of Kurdish music, Koma Berxwedan (Group Resistance) is one of the most interesting, innovative, experimental groups. To a deep love for music research the group has always associated a strong political commitment. Some of its members have joined the PKK guerrillas in the mountains of Kurdistan. Three of them died in combat. Some have been forced to live in exile and others continued to challenge the Turkish authorities by carrying out their work in Kurdistan.

Deep beneath the surface in the Syrian province of Ghouta, a group of female doctors have established an underground field hospital. Under the supervision of paediatrician Dr. Amani and her staff of doctors and nurses, hope is restored for some of the thousands of children and civilian victims of the ruthless Syrian civil war.

Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.

The creative process of the first crochet fashion collection fully developed by male prisoners in Brazil and presented at the country's main fashion event, The São Paulo Fashion Week.

This documentary shows the fascist might of the Marcos regime and how militarisation and human rights violations were institutionalised in Philippine political life. The film exposes the human rights violations during the Marcos regime, unmasking the dictator's claims that there were no political detainees under martial law. Arrogance of Power (1983, TRT 38 mins.) is a documentary by AsiaVisions (previously named Creative Audio-Visual Specialists or CAVS) made originally in Super 8 migrated to U-matic and digitized for access.

Grow Vasu is a biographical documentary on the life of comrade Ayinoor Vasu aka Grow Vasu, a leader of the working class, as well as a champion of Muslim, Dalit, and marginalized communities and human rights movements. At 94 years young, he was jailed for questioning the authority, yet, Vasu continues his fight against oppression, for justice, and for the revolution. The film follows a narrative style divided into ten chapters consists of his personal-political up and downs.

An historical documentary that rereads the recent death of Jorge Videla, bloodthirsty dictator of Argentina in the 70’s, telling the disappearance, one by one, of the members of La Plata Rugby club. A tragic and compelling story where the passion for politics and sport is opposed to a fascist - military regime.

In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.