War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Bring Them Down 2024 - Movies (Mar 27th)
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England’s Lions The New Generation 2025 - Movies (Mar 26th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
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Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
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WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
This starts off really strongly with the arrival, on horseback, of the feisty "Miss Julie" (Bette Davis). She is the rather proud orphaned daughter of a wealthy southern family whom everyone wants to know and be seen with - even if she is a bit of a pain in the neck. It's "Dill" (a rather charmless Henry Fonda) who is the front runner for her rather vain affections but he is no push-over. Her desire to inappropriately wear a red gown to a formal ball initially elicits his reluctant support as he escorts her, but then the ensuing fallout ensures he flees leaving her alone and determined - to get him back. The onset of the plague forces her to flee to their plantation and he ends up there too - but with a significant complication. With her normally ordered life all askew, "Miss Julie" has to think, perhaps for the first time, not just about herself. I'm afraid, though that this film was just bit too much of a soap for me. Though Davis has loads of beans at the outset, the story rather manoeuvres us into a rather predictably sentimental cul-de-sac that's slightly cluttered up by the rather obnoxiously cocky "Buck" (George Brent). Donald Crisp and Spring Byington provide a bit of ballast now and again, but I just found this all rather disappointingly flighty and thin. A frustrated love story, yes - but I just needed much more of our original "Jezebel" and less of what her character became. I saw this very recently on a big screen and it is still, despite my reservations, a fine example of thoroughly well presented and opulent cinema with a star who very much owns the screen.
As bare-knuckled boxing enters the modern era, brash extrovert Jim Corbett uses new rules and dazzlingly innovative footwork to rise to the top of the boxing world.
In 1900, a clan attempts to strike a deal with a Chicago industrialist to get him to build cotton mills in their Deep South town.
In order to avoid a prearranged marriage, a rebellious French princess sheds her identity and escapes to colonial New Orleans, where she finds an unlikely true love.
A young man finds himself attracted to a cold and unfeeling waitress who may ultimately destroy them both.
While touring abroad in Europe, beautiful American skydiver Fathom Harvill gets wrapped up in international intrigue when Scottish spy Douglas Campbell recruits her to help him on a secret mission. Before long, Fathom realizes that no one around her, including the mysterious Peter Merriweather, can easily be trusted, leading to various adventures that involve bull fighting, beaches and, of course, romance.
A black doctor ex-convict returns to the all-white town he knows as home and discovers a deadly disease threatening the citizens. He must fight prejudice and time if he is to save the town.
A doctor trying to fight a diphtheria epidemic comes into conflict with a police captain who is using all his resources to track down a cop-killer.
Sharecropper's son Marvin tries to help his community overcome poverty and ignorance.
Johnny and his young nephew forge a tenuous but transformational relationship when they embark on a cross-country trip to see life away from Los Angeles.