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**_The Fisher / Buttafuoco story with winsome Drew Barrymore as Amy_** Based on the infamous true story that caused media hysteria in the 90s, a 16 years-old girl (Barrymore) from Long Island foolishly enters into a relationship with a 35 years-old married man, Joey Buttafuoco (Tony Denison), just a few miles from Jones Beach. A year later she confronts his wife at her doorstep (Laurie Paton), shooting her in the side of the head. “The Amy Fisher Story” was released by ABC on January 3, 1993, just 7.5 months after the shooting. The CBS version was simultaneously aired while the NBC rendition beat both by six days, airing at the end of 1992. Let’s compare the three: The NBC version, “Amy Fisher: My Story,” aka “Lethal Lolita,” sticks to the bare facts with Amy narrating her experience from a jail cell. While it starts off too by-the-numbers, it becomes compelling in the second half with an outstanding depiction of the front door confrontation between Amy and Mary Jo. It features actors who most resemble their real-life counterparts. Moreover, arrogant Joey’s reasoning to justify his unfaithful actions are superbly presented. The CBS interpretation, “Casualties of Love: The Long Island Lolita Story,” features Alyssa Milano in the role of Amy, but supports the Buttafuoco fiction that Joey never had sex with her, which he later admitted was false in light of the glaring evidence (e.g. motel receipts). As such, “Casualties of Love” depicts Joe as an irresistible stud who’s curiously stalked by an attractive girl that imagined their relationship, resulting in the shooting of Mary Jo. This version by ABC has the star power of Drew Barrymore in the title role, only 17 years-old during filming. It’s based on the chronicling of New York Post writer Amy Pagnozzi (Harley Jane Kozak). Like “Amy Fisher: My Story,” aka “Lethal Lolita,” I didn’t get the feeling that this version was unbalanced. Fisher’s flaws and foolishness are plainly revealed. A semi-abusive relationship with her father and sexual abuse by an unnamed relative are hinted at as reasons for why she made such bad decisions. No matter how you slice it, the near fatal shooting that scarred Mary Jo for life, split up two marriages and shattered two families by putting them through hell on earth can be traced to egotistical Joey’s unwise seduction of an underaged girl and ongoing sexual relationship. This version starts as a compelling coming-age-drama due to Drew’s charisma & beauty and reveals more details about Amy’s situation before meeting Joey. Unfortunately, it bogs down into mechanical storytelling by the second half with a way less effective depiction of the critical confrontation between Amy and Mary jo compared to “Amy Fisher: My Story,” aka “Lethal Lolita.” The latter movie is the exact opposite: It starts weak but ends strong. If you’re interested in the story and don’t mind television productions, it's best to view both versions since each have their strengths & weaknesses. Disregard the more fictional version with Alyssa Milano unless, of course, you’re an uber-fan of Ms. Milano. The film runs 1 hours, 36 minutes, and was shot in Vancouver, British Columbia. GRADE: C+
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
A seductive teen befriends an introverted high school student and schemes her way into the lives of her wealthy family.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.
It is 1970, there is World Cup and General Election fever. Marco, a wealthy Italian has come to England to discover his true identity. Carl, a student is torn between canvassing for the Labour party, watching the World Cup or going on a walking holiday with his girlfriend Ellie. Their paths cross in Preston library and the three take an epic journey across the Pennines.
A writer returns home to his estate after service in World War I. He has developed a very bad case of depression due to a war wound concerning his genitalia. He contemplates suicide, but recovers after becoming interested in his caretaker's 12 year-old war orphan niece, who now lives in the manor.
When her mother dies, her attractive young daughter hungry for love moves into the dead woman's house as a quest to seduce its tenants in her desperate search for love.
Leelee Sobieski is brash, abrasive and vulnerable as a teenage child of divorce who hides her pain behind a mask of hard-edged gothic rebellion. Albert Brooks plays a man who is her total opposite, a precise and well-ordered menswear store owner of forty-nine who manages limited expectations and protects lonely secrets with pleasant ritual and quiet, ironic reserve. These two total opposites collide in conflict then come together in a surprising alliance, changing each other's lives forever.
Genial shopkeeper Philip has to endure the constant nagging of a shrewish wife while he secretly yearns for a pretty young stenographer. When the henpecking gets to be too much, Philip murders his wife and manages to make her death look like an accident. A ruthless blackmailer and a low-key detective both discover Philip's secret, and he has to decide which of them poses the more dangerous threat.