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**_The Fisher / Buttafuoco story with winsome Drew Barrymore as Amy_** Based on the infamous true story that caused media hysteria in the 90s, a 16 years-old girl (Barrymore) from Long Island foolishly enters into a relationship with a 35 years-old married man, Joey Buttafuoco (Tony Denison), just a few miles from Jones Beach. A year later she confronts his wife at her doorstep (Laurie Paton), shooting her in the side of the head. “The Amy Fisher Story” was released by ABC on January 3, 1993, just 7.5 months after the shooting. The CBS version was simultaneously aired while the NBC rendition beat both by six days, airing at the end of 1992. Let’s compare the three: The NBC version, “Amy Fisher: My Story,” aka “Lethal Lolita,” sticks to the bare facts with Amy narrating her experience from a jail cell. While it starts off too by-the-numbers, it becomes compelling in the second half with an outstanding depiction of the front door confrontation between Amy and Mary Jo. It features actors who most resemble their real-life counterparts. Moreover, arrogant Joey’s reasoning to justify his unfaithful actions are superbly presented. The CBS interpretation, “Casualties of Love: The Long Island Lolita Story,” features Alyssa Milano in the role of Amy, but supports the Buttafuoco fiction that Joey never had sex with her, which he later admitted was false in light of the glaring evidence (e.g. motel receipts). As such, “Casualties of Love” depicts Joe as an irresistible stud who’s curiously stalked by an attractive girl that imagined their relationship, resulting in the shooting of Mary Jo. This version by ABC has the star power of Drew Barrymore in the title role, only 17 years-old during filming. It’s based on the chronicling of New York Post writer Amy Pagnozzi (Harley Jane Kozak). Like “Amy Fisher: My Story,” aka “Lethal Lolita,” I didn’t get the feeling that this version was unbalanced. Fisher’s flaws and foolishness are plainly revealed. A semi-abusive relationship with her father and sexual abuse by an unnamed relative are hinted at as reasons for why she made such bad decisions. No matter how you slice it, the near fatal shooting that scarred Mary Jo for life, split up two marriages and shattered two families by putting them through hell on earth can be traced to egotistical Joey’s unwise seduction of an underaged girl and ongoing sexual relationship. This version starts as a compelling coming-age-drama due to Drew’s charisma & beauty and reveals more details about Amy’s situation before meeting Joey. Unfortunately, it bogs down into mechanical storytelling by the second half with a way less effective depiction of the critical confrontation between Amy and Mary jo compared to “Amy Fisher: My Story,” aka “Lethal Lolita.” The latter movie is the exact opposite: It starts weak but ends strong. If you’re interested in the story and don’t mind television productions, it's best to view both versions since each have their strengths & weaknesses. Disregard the more fictional version with Alyssa Milano unless, of course, you’re an uber-fan of Ms. Milano. The film runs 1 hours, 36 minutes, and was shot in Vancouver, British Columbia. GRADE: C+
Rita and Sue are two teenagers living on a run-down council estate in Bradford, who both share a job babysitting for Bob and Michelle's children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence.
During the last years of Franco's dictatorship, Fernando, an old republican exile, returns to his home in a small Castilian village and befriends Aurora, a young and attractive teacher.
The American architect Kracklite arrives in Italy, supervising an exhibiton for a French architect, Boullée, famous for his oval structures. Tirelessly dedicated to the project, Kracklite's marriage quickly dissolves along with his health.
In 1920s China, nineteen-year-old Songlian becomes a concubine of a powerful lord and is forced to compete with his three wives for the privileges gained.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.
Ramón Alvia is a professional boxer who, although he has won several international championships, is old and is at the end of his career. He resists. In the gym, Ramon discovers among the young boxers Deborah, a beautiful girl.
The story of Jerry Lee Lewis, arguably the greatest and certainly one of the wildest musicians of the 1950s. His arrogance, remarkable talent, and unconventional lifestyle often brought him into conflict with others in the industry, and even earned him the scorn and condemnation of the public.
Juliette Hardy is sexual dynamite, and has the men of a French coastal town panting. But Antoine, the only man who affects her likewise, wouldn't dream of settling down with a woman his friends consider the town tramp.
A poor French teenage girl engages in an illicit affair with a wealthy Chinese heir in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters.
