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Free will is obviously not a big factor in this little world of ours. Hee, yet another David Cronenberg picture that divides opinions, not just among the casual film watchers, but also his most ardent fans. Plot is a little nutty in actuality, as it finds Jennifer Jason Leigh as the world's most high profile games designer. While testing her new virtual reality game out with a focus group, an assassination attempt puts her on the run with an ally of sorts, marketing man Ted Pikul (Jude Law). With the prototype of the new game in their possession, the pair must enter the game's realm to unlock the various puzzles and threats that now confounds and stalks them. With Cronenberg back to writing something solely from his own head, eXistenZ finds the Canadian auteur happy to be back making a truer piece of work for his kinked visions. Unfortunately the advent of such virtual reality fare and various realist themes was well in filmic swing come the time eXistenZ was released, rendering it in some eyes as a band wagon jumper. That's unfair, because it's still a unique film, as Cronenberg blends body horror with visual invention to create a mind warp of gaming possibilities, a thrum thrum of futuristic verve. He gets top performances out of Leigh (great hair as well) and Law, while the narrative is constantly tricky enough to demand the viewer pays attention whilst being prepared to, perhaps, be surprised. Not prime Cronenberg, but still smart and funky, twisty and nutty, scary and oblique. So very much a Cronenberg original, then. 8/10
I'm sorry but this low budget disaster got zero interest from me. The props were horrid. The story was ridiculous; really, it was just so "stupid". Maybe I should be using bigger words, but this movie was just awful in every way. I rarely give up on a movie; I feel like someone shouldn't give a movie a bad review unless they've seen the entire thing. I've seen the entire thing, finally. It was almost painful to get through. It is just a cheap and dreadful production. The SyFy channel makes better quality garbage than this.
The story takes place in the year 2034, two years after the events in Ghost in the Shell: S.A.C. 2nd GIG. Female cyborg Major Motoko Kusanagi has left Public Security Section 9, an elite counter-terrorist and anti-crime unit specializing in cyber-warfare, which has expanded to a team of 20 field operatives with Togusa acting as the field lead.
Wong, bodyguard to a tycoon, is fired by his boss's son after he fails to save his boss. Now, the assassins are after the son, who takes refuge in a slum. Wong, meanwhile, tackles the villain's goons.
Two crew members wake up on an abandoned spacecraft with no idea who they are, how long they've been asleep, or what their mission is. The two soon discover they're actually not alone – and the reality of their situation is more horrifying than they could have imagined.
In the year 2019, a plague has transformed almost every human into a vampire. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vampires on a way to save humankind.
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Four stories including: "My Robot Baby," in which a couple must care for a robot baby before adopting a human child; "The Robot Fixer," in which a mother tries to connect with her dying son; "Machine Love," in which an office worker android learns that he, too, needs love; and "Clay," in which an old sculptor must choose between natural death and digital immortality.
Set in the near future after a significant collapse of civilization, Dome House Six is a sci-fi thriller about trust, mischief, lust and control, that follows four seemingly unconnected people as they try to survive in a post apocalyptic landscape.
The plot explores the devastation of civilization and issues of brutality, hostility and isolation. Pierre Jolivet stars as the main character (identified only as "The Man" in the end credits) who is menaced by "The Brute" (played by Jean Reno) on his journey through a world filled by people rendered nearly mute by some unknown incident.
In a dystopian world, a masked figure commutes to work. For him, everything is normal, but things truly aren't.
Demons that once almost destroyed the world, are revived by someone. To prevent the world from being destroyed, the demon has to be sealed and the only one who can do it is the shrine maiden Shion from the country of demons, who has two powers; one is sealing demons and the other is predicting the deaths of humans. This time Naruto's mission is to guard Shion, but she predicts Naruto's death. The only way to escape it, is to get away from Shion, which would leave her unguarded, then the demon, whose only goal is to kill Shion will do so, thus meaning the end of the world. Naruto decides to challenge this "prediction of death."
After causing a commotion with his last assignment, Falk has been given a desk job, which hardly agrees with his personality, and he ends up accepting an offer from an old friend to buy into a private investigation agency. Another friend of Falk's, Sven, purchased a business in Estonia, and when local gangsters attempted to pressure him into paying protection money, Sven retained the services of Nikolaus Lehmann, a burly private eye, to throw them off his trail. However, Lehmann does his job all too well, murdering the racketeers, and then threatening Sven and his family. With no where else to turn, Sven asks Falk to help him deal with the crazed Lehmann; Falk agrees, but soon realizes he's dealing with a more dangerous man than he imagined when Lehmann kidnaps Falk's wife Jeanette, and then releases her with a time bomb locked around her neck, demanding that Falk hand over ownership of his detective agency to Lehmann.