Someday at a Place in the Sun - (Jan 31st)
Bargain-Loving Brits in the Sun - (Jan 31st)
Animal Control - (Jan 31st)
Matlock - (Jan 31st)
Law and Order- Special Victims Unit - (Jan 31st)
Going Dutch - (Jan 31st)
Ghosts - (Jan 31st)
Sesame Street - (Jan 31st)
Tonight - (Jan 31st)
The Bold and the Beautiful - (Jan 31st)
Lets Make a Deal - (Jan 31st)
The Beat with Ari Melber - (Jan 31st)
The Price Is Right - (Jan 31st)
The Kelly Clarkson Show - (Jan 31st)
The Young and the Restless - (Jan 31st)
Love Island- All Stars - (Jan 30th)
Deadline- White House - (Jan 30th)
Hannity - (Jan 30th)
Jesse Watters Primetime - (Jan 30th)
Beat the Chasers - (Jan 30th)
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Automata is the eerie, black-humoured story of Henry, the last in a long line of duck hunters. The film examines the connection between hunter and prey and obsession in the face of extinction. It posits the question 'what would happen to someone at the tipping point; the moment where they are directly responsible for the extinction of an entire species' Duck hunting in Australia is a very contentious issue and every year hunters and protesters clash. The experimental side is evidenced with the lack of dialog, non-linear narrative and a 'score' by Belgian sound designer Christina Clar. The majority of the sound tracking and design was completed before the edit in Australia, thus reversing the usual process. The sound post production was completed in Brussels and includes recordings from deep within remote caves.
Binta, a little girl from Senegal, tells us about the everyday life in her village, the importance of education for the girls, and about her father's great idea to make the world a better place.
A young Church elder struggles with his faith when the married woman he has been seeing breaks off their relationship.
When she stumbled across a dead man in the middle of nowhere, she decided to take away his only possession. But little did she know that she would also step into the dead man's shoes. There's a trail and there's a hunter. She can't stop him. The problem is, he can't stop her either...
A couple of kids lay their hands on a pot of very strong glue and proceed to wreak havoc.