青少年のための映画入門

After a crippling divorce and with his taxi business starting to go under, it was the end of the road for James Archon. In light of this, James receives a mysterious call, which spirals his life into some questionable side-ventures akin to is cab service. When James meets a new interest in his life, he wants to give up this part of his life for good, however he must find a way out alive.

Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.

The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.

A man struggles with mental health and seeks help.

“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.

"A Motion Selfie" is one-of-a-kind DIY filmmaking: a darkly comic chronicle following a year in the life of a washed-up viral video star and the sexually depraved stalker who becomes obsessed with his work.

A wealthy landlord floods and destroys a village on purpose to prevent the people living there from making a profit off their crops. What he doesn't know is that his own daughter, Amal, is in love with Ahmed, a young man from the village.

Abdel Sabour was a thief and a smuggler known as The Beast to the people in one of the villages of upper Egypt; everyone was afraid of him, including the police. He enjoyed the protection of Redwan Pasha, who in turn used him during elections to eliminate his rivals. Officer Raouf Saleh was sent to the village with his wife and son with the assignment of arresting The Beast. However The Beast and his gang worked together from the beginning trying to dispose of the officer and his family in any way possible.

Hemaidah is a Farmer who hates country life. He hates working in fields and taking care of the animals in his farm. Though unsatisfied with her, he marries Zebeidah, a woman in the same village.

A man works in a dystopian office. He copes by thinking about beautiful paintings during breaktime. Ants crawling out of his skin and a strange coworker interrupt his peace of mind but they remind him of his past as an artist.