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One of the darkest Indian movies. I had to make a conscious effort to move, after sitting motionless through the climax and the end credits. I don't recall seeing a darker Indian movie. When the movie ended, I felt UGLYNESS in my soul. That's not supposed to be a good thing, but I imagine that was the purpose. The story revolves around a 10 year old girl who goes missing. Her biological father is a struggling actor, her mother is an alcoholic and her husband is a top cop. Then there's a guy whose the actor's friend and is a casting director. There are a few more notable characters. The central characters are trying to figure out the whereabouts of the girl, but they all have bones to pick with each other. Here the title comes into play. What's uglier than the supposed kidnapping of the girl is that they all have their vested interests and that they're more keen on satisfying those then actually finding the girl. The journey to the climax brings out the ugliness within these flawed characters. And it's not one for the faint hearted. Anurag Kashyap is my favorite Indian director of this day and age so I'm always a bit biased towards his movies but Ugly has got to be his finest work till date. The story isn't flawless, but the direction is. Mr Kashyap succeeds completely in bringing out the ugliness of his characters, who could easily be breathing and walking human beings amongst us, which makes it all the more chilling. The acting by entire cast was superb. Each and every one of them brought their characters alive on screen. You could feel strongly for them, hate, sorrow, pity and a lot more. The screenplay and editing is tight, dialogs too good and natural. I felt there were 2-3 loopholes and if not for them, the actual story could've been perfect. All in all a definite 9 out of 10 for me.
**One of the darkest Indian movies** I had to make a conscious effort to move, after sitting motionless through the climax and the end credits. I don't recall seeing a darker Indian movie. When the movie ended, I felt **UGLYNESS** in my soul. That's not supposed to be a good thing, but I imagine that was the purpose. The story revolves around a 10 year old girl who goes missing. Her biological father is a struggling actor, her mother is an alcoholic and her husband is a top cop. Then there's a guy whose the actor's friend and is a casting director. There are a few more notable characters. The central characters are trying to figure out the whereabouts of the girl, but they all have bones to pick with each other. Here the title comes into play. What's uglier than the supposed kidnapping of the girl is that they all have their vested interests and that they're more keen on satisfying those then actually finding the girl. The journey to the climax brings out the ugliness within these flawed characters. And it's not one for the faint hearted. Anurag Kashyap is my favorite Indian director of this day and age so I'm always a bit biased towards his movies but Ugly has got to be his finest work till date. The story isn't flawless, but the direction is. Mr. Kashyap succeeds completely in bringing out the ugliness of his characters, who could easily be breathing and walking human beings amongst us, which makes it all the more chilling. The acting by entire cast was superb. Each and every one of them brought their characters alive on screen. You could feel strongly for them, hate, sorrow, pity and a lot more. The screenplay and editing is tight, dialogues too good and natural. I felt there were 2-3 loopholes and if not for them, the actual story could've been perfect. **All in all a definite 9 out of 10 for me.**
A marriage. A re-marriage. A pending divorce. It's been five years since Kukoo and Nainaa got married after knowing each other practically all their lives, and now they need to break it to their family that they want a divorce. Kukoo's parents, Bheem and Geeta, a couple that everyone looks up to, have no plans of making Kukoo and Naina's lives easier. They have their own plans and set of surprises in store for the young couple; all this in the middle of Kukoo's sister's wedding.
The film follows Kamala, a young woman from Chitkul village and her girl child Manya, who embarks on a journey leaving their native land in search for her missing husband. Along this journey she encounters Nawazudin, a free spirited army deserter who helps them to get to their destination with his own selfish motive.
Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.
A kind grandmother regales her grandchildren with timeless stories of Lord Siva to correlate with their daily chores.
Meera, a devotee of Lord Krishna, believes she is married to the lord and rejects her marriage to a Rajput prince. However, her spirituality leads her to face many hardships.
A satire on inflation-hit middle-class Indian family from a small city in North India. The story revolves around our protagonist who is struggling to survive in this spiraling inflation and how he comes up with a solution to battle it, only to find himself in an even bigger mess due to their innocence and naivety.
Om, a special forces para commando officer, loses his memory while fighting enemies. After recovering from amnesia, Om is on a mission to save the nation from terrorists. As he fights the challenges the mission presents, he learns a shocking truth about his life.
Rani, a 24-year-old homely girl, decides to go on her honeymoon alone when her fiancé calls off the wedding. Traveling around Europe, she finds joy, makes friends, and gains new-found independence.
A story about the rise of awareness among the youth against the pollution and eco-system disaster. The conflict between the youth and ruling establishment is also taken under the inspection. The daughter of the prime minister and her relation to the son of another minister of opposing party is especially under surveillance.
Officer Shivani Shivaji Roy is stationed at Kota where she goes against a ferocious serial killer who rapes and murders women.
Victoria is a young mother trying to put her dark past as a Russian drug courier behind her, but retired cop Damon forces Victoria to do his bidding by holding her daughter hostage. Now, Victoria must use guns, guts and a motorcycle to take out a series of violent gangsters—or she may never see her child again.