Hideout in the Sun

It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.

A woman who desperately wants a baby asks a girl who is considering abortion to give her the baby instead. The two arrive at an isolated vacation home to spend time in seclusion until the girl gives birth to a baby, but they unexpectedly encounter a mysterious young painter and some criminal hunters.

A man becomes lured into a fictional game his ex-girlfriend has initiated. Sexually ensnared by her, and now realizing the fragility of the border between the real and the imagined, he begins to unravel. He convinces himself that if he can only write an ending to his life story, he can regain control of his life. But playing with fiction is not an innocent game…

Two girls clean places after somebody dies there. Sometimes they sell the belongings of the dead at a flea market. When they meet an odd guy who has a passion for boxes, a strange game unfolds. An unconventional love story about the oddity of ordinary things. Eccentric and natural at once.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

A woman named Kit moves back to her parent's house, where she receives a mysterious invitation that would fulfill her childhood dreams.

1930s, in the highlands of Jalisco. Emilia, a teenager, silently lives her sexual awakening with her adopted siblings, Caro and Martín. In search of her freedom, she flees into the bush where she poses as a young muleteer to survive among the living and the dying, among guards and deserters, unaware that Martín is stalking her. Emilia's path will lead her back to the ranch to defy her destiny and escape with Caro.

Mother rules the house with an iron hand and has such power over her daughters that they see themselves as becoming old unmarried, maids. Jodie has feelings for the local doctor, a man much older than her, for which her mother strongly disapproves. Beth finds a relationship with a male stripper in Bristol, but sees nothing in the future with Mother around. While both girls would like to be rid of Mother, nothing happens until Jodie sees images of H. R. Armstrong, the man who put the town on the map by dispatching his un-loving wife

A week before her marriage, a woman injures a man in a car accident. As she helps nurse him back to health, she starts to doubt the course her life is taking. Her father, a powerful dictator, is not pleased with the change of plans.

An eight-year-old girl is fascinated by the exquisite corpse of a young woman she finds in the woods.

An African American woman living away from her family in Los Angeles yearns to be recognized for more than her physical attributes. In cultivating the friendship of a male office mate, she aspires to a relationship where romance is not a factor, seeking someone who can "see her as she is," rather than see only what he wants to see. (UCLA Film & Television Archive)