The Club That George Built 2024 - Movies (Jan 30th)
Wicked 2024 - Movies (Jan 30th)
The Line 2024 - Movies (Jan 30th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Pushover 2024 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
Tom Green I Got a Mule 2025 - Movies (Jan 28th)
Monster on a Plane 2024 - Movies (Jan 28th)
The Fire Inside 2024 - Movies (Jan 28th)
Perfect Match - (Jan 30th)
Family Feud Canada - (Jan 30th)
The Nature of Things - (Jan 30th)
Homes Under the Hammer - (Jan 30th)
Celebrity Help My House Is Haunted - (Jan 30th)
Are We Changing Planet Earth - (Jan 30th)
Body Bizarre - (Jan 30th)
Married at First Sight UK - (Jan 30th)
Bargain-Loving Brits in the Sun - (Jan 30th)
Live PD Presents- PD Cam - (Jan 30th)
Florida Heat - (Jan 30th)
Ozark Law - (Jan 30th)
Pawn Stars - (Jan 30th)
Dateline- Secrets Uncovered - (Jan 30th)
After Midnight - (Jan 30th)
Watch What Happens Live with Andy Cohen - (Jan 30th)
A League of Their Own - (Jan 30th)
Tipping Point Australia - (Jan 30th)
Tribunal Justice - (Jan 30th)
Chicago P.D. - (Jan 30th)
The Gunsligerette Gunslinger is directed by Roger Corman and written by Charles B. Griffith and Mark Hanna. It stars John Ireland, Beverly Garland, Allison Hayes, Martin Kingsley, Jonathahn Haze and Chris Alcaide. Music is by Ronald Stein and cinematography by Frederick E. West. When the sheriff of Oracle, Texas, is murdered by outlaws, his widow Rose Hood (Garland) takes over as Marshal and sets about cleaning up the town... As Roger Corman started out directing, a few years before he would turn his hand to the Edgar Allan Poe adaptations that would find him respect and leave his mark on cinema, he ventured into the realm of the Western. None of these Westerns were particularly good, in fact they are some of the lowest rated Westerns on IMDb, with Gunslinger currently at the bottom of the pile with a 2.8/10 weighted average! Yet, and it's really not a movie you would want to revisit often - if at all, there's a quirkiness and feminist angled bravery about the whole thing that earns a tiny bit of respect. The problems are many. It's over talky and slow, and what action there is is so badly staged it comes off like an amateur playhouse production. Then there's the acting. Ireland kind of escapes criticism because he walks around in a dazed state, it's like he can't believe what he is doing there, you can see him thinking to himself that he was working for Howard Hawks and Anthony Mann not long ago! Garland is OK, spunky and at least correct in line deliveries and visual reaction to situations, and Hayes is sexy enough to get away with the incredulity of it all. The rest, however, are desperately poor, with some of them resorting to auto-cue type acting. Visually it's also poor, with barely dressed sets looking as fake as fake can be, especially when they shake as actors bump into them. Filmed in Pathecolor, the exteriors are sadly lifeless, the colours bland, and this in spite of the decent DVD print that I viewed. The sped up horse riding sequences raise a chuckle, while goof spotters will have a field day here. All told, with a weak and preposterous finale sealing the deal, it's a well below average "Z" grade Oater. One that's fun for the wrong reasons, but still! The sight of Garland blasting away with shotgun in hand, with star badge on chest, is a sexy image I shall not forget in a hurry! 3.5/10
_**When the town marshal is better-looking than the saloon girls**_ After her lawman husband is murdered in Oracle, Texas, Rose Hood (Beverly Garland) takes over the job of marshal to track down those behind the slaying. Meanwhile the saloon owner (Allison Hayes) wastes no time in hiring a hitman to take her out (John Ireland). "Gunslinger" (1956) is the sixth film directed by trailblazing Indie filmmaker Roger Corman (his seventh if you count his uncredited work on “The Beast with a Million Eyes”). Like his debut flick from the year prior, “Five Guns West,” it’s a quickie B Western shot in color, but this one’s superior due to its originality, filmed in seven days (instead of his usual six). It was a troubled shoot with it raining five of the days and the corresponding mud. Corman described it as "one of the worst experiences of my life” with Hayes (Erica) wanting to leave the film after falling off her horse due to it slipping in the mud and breaking her arm. Meanwhile the unique love scene in the tree was plagued by biting red ants. With a female protagonist and antagonist, not to mention overblown melodrama that borders on caricature, this Western is reminiscent of “Johnny Guitar” (1954), although not quite as surreal or exceptional. Corman doesn’t fail to continuously throw-in entertaining bits, like the dancing saloon girls, a knock-down drag-out catfight and the Little Man’s cute-but-doomed love for Erica (Jonathan Haze). Not to mention, the loveliness of the two stars doesn’t hurt, especially the stunning Allison Hayes (whose maliciousness detracts from her beauty). Despite the difficult production, Beverly considered it one of her favorite roles, and understandably so since it was (I think) the first female marshal/sheriff role in a movie Western. She did a smashing job. The film runs 1 hour, 23 minutes, and was shot at Jack Ingram Ranch in Topanga Canyon, Woodland Hills, Los Angeles, California. GRADE: B
In 1916, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer.
Recovering from a toxic relationship, James Savage confronts both his inner demons and enigmatic ex-girlfriend, Janet, before she executes a world-ending ritual. James navigates her reality-bending universe of ethereal monsters while facing the truth of his own addictions and skewed sense of self-worth. James learns that the only route to love is through healing.
A sheriff and his posse set out to catch a murderer, but their mission proves more dangerous than anyone suspected after they become stranded in the desert and attacked by Apaches.
The conflict between a railroader and a stage line owner is being aggravated by bad guys who are sabotaging both sides. Roy and Gabby mediate the conflict and expose the bad guys.
Jeff arrives in town to see the Sheriff only to find him just killed. The culprit is Clay Wheeler. When Jeff becomes friendly with Letty, Clay sends his man Ortega to kill him. Jeff foils the attempt and gets him to confess that Clay was the killer. With only old-timers Lafe and Bill to help, Jeff heads after Clay and his gang.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.
Bob arrives looking for the killer of his uncle. When the Sheriff chases him and his partner Rusty, Reno thinks they are the men he is looking for and takes them into his gang. There Bob finds his uncle's gun and knows he has found the right gang. However he realizes the gang has an unknown leader and he sets out to find him.
When Tex is brought in to fight in a range war between the cowmen and the nesters, he meets his old outlaw boss Lassiter. He learns Lassiter is behind the feud when Lassiter asks him to join up with his gang. Tex refuses and instead sets out to stop the feud but no one will believe him that Lassiter is responsible.
A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.