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Director Steven Brill’s last film was my least favorite movie of 2013 (Movie 43), so expectations were not exactly sky high for Walk of Shame. At first glance, the comedy starring Elizabeth Banks appears to be a mix between The Hangover and Anchorman. Unfortunately, it lacks the jokes or the charm that the former two films had. After having her boyfriend leave and thinking she lost a once-in-a-lifetime job opportunity as an anchor in a major station, Meghan reacts as any young adult would, by getting sloppy drunk and engaging in a one night stand. After a successful night, she wakes to find out that she’s now the top candidate for the anchor job, she just needs to get to work on time. Forgetting her wallet and phone, Meghan proceeds to embark on the longest walk of shame ever.. On the way, she makes unlikely friends and goes through zany adventures to make it to the newsroom in time for evening news. That was the intention. Instead, Walk of Shame is a misogynistic, racist, unfunny escapade that fails to bring anything new to the comedy genre. The issue with the film is that the derivation of humor stems from how different Meghan is from everyone else. Early on, Meghan encounters three black men, and sure enough she’s scared that they’re drug dealers evading the cops. Not only is her character racist, Brill’s perspective encourages the audience to be racist. It turns out that these guys, Scrilla, Pookie, and Hulk, are nice gentlemen that’s willing to help Meghan. This is suppose to be funny. The contrast from the expectation of how these gangbangers would act towards an attractive white woman and how the it plays out in the movie is suppose to be hilarious. These presumptions just come off senselessly offensive. It’s not an isolated incident either. Meghan encounters an angry foreign taxi driver, a bunch of incompetent cops, and most damaging, the film paints Elizabeth Banks’ character as a bumbling idiot. Foreigners can’t be trusted, minorities are stereotypes and women are useless, Walk of Shame is an embarrassing concept built on damaging assumptions. Poor writing, unoriginal jokes and predictable characters are just icing on the cake for this crude attempt at humor. Steven Brill will have the audience leaving the theaters in a walk of shame with this one. Read more reviews at artisticritique.com
Decent watch, probably won't watch again, and can't recommend. It's not that it's a bad movie: I'm not a big Elizabeth Banks fan, and you get a lot of her, like 90% of the movie is just her being abused by the world, with very little triumph along the way. The rest of the movie is basically everyone else in the world forcing, manipulating, and validating her, and it would have been a better experience if she was a stronger character. I get (and it's very obvious, very early) that the point is that she's a weak character that is forced to grow through the adversity of this adventure. I just would have rather seen someone stronger (think American Lara Croft for a moment) run a similar formula of problem, attempt resolution, extraordinary circumstance, new problem, etc. Hell make it a parkour movie where a free runner had a blackout night, basically "The Hangover" meets "Mirror's Edge" (video game). My point is, that when you see something and want something else, you don't like what you have in front of you, even if it's a decent (but different) movie that you were expecting. It an awful part of being human. While the humor is decent, the repetitive formula creates fulfilled expectation, which dulls the comedy. It's also not very uplifting. I think it's fair to say that Elizabeth Banks is statistically attractive, in a cute dress, and is playing a character who is a local celebrity. I've also been informed being a white woman is advantageous. She's basically an ideal candidate to get charity help, except from people that are just as likely to kill her, but it pushes my suspension of disbelief that she isn't able to get people to talk to her, let alone actually help her. I'm just realizing that, having been stranded before, on multiple occasions, I may be being a little harsh, but it just doesn't make it as enjoyable for me.
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Gabriel is a young, aspiring musical composer whose life seems stuck in the First Act. When his new musical number gets a critical reception, a theatre colleague, Perry, tells Gabriel that he needs to get a life before he can write about one – so he heads straight for his local gay bar.
At Bertrand Morane's burial there are many of the women that the 40-year-old engineer loved. In flashback Bertrand's life and love affairs are told by himself while writing an autobiographical novel.
For Cologne newspaper journalist Michael Heinrich, a year-long posting as Itally correspondent is a dream coming true. His lawyer wife Susanne agrees to take her long-postponed sabbatical year there, but janitor Filippo and his hunky cousin Toni still hasn't finished the apartment in Principe Ercole's 'palazzo'. Angelic son Tobias and pubescent brat Caroline object being torn away from their world, but soon take to welcoming Romans. Roman utilities and Vatican bureaucracy test Michael's patience as well as Ercole's frisky niece Maria and Susanne's visiting parents. Controversial archaeology professor Neri offers Michael a 'steal' scoop on the missing main Etruscan sanctuary. Written by KGF Vissers
Eddy and Patsy prepare to go on a skiing holiday to hopefully indulge in the jet-setting lifestyle of the international celebrity elite when Saffy is proposed to by her stuffy, upper-class boyfriend, Paolo. Eddy hits the slopes and has a near death experience where God appears to her and tells her it's not yet her time. When Eddy comes to, she waits for a sign that she should get involved in Saffy's wedding. As she returns to the house, it appears all hell has broken loose- relatives piling up, practically squatting, and Saffy about to lose her mind. Eddy calms her by throwing money at her as they bond together, planning Saffy's dream wedding. What could go wrong?
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.
An American journalism student in London scoops a big story, and begins an affair with an aristocrat as the incident unfurls.
Ingrid becomes obsessed with a social network star named Taylor Sloane who seemingly has a perfect life. But when Ingrid decides to drop everything and move west to be Taylor's friend, her behaviour turns unsettling and dangerous.
When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.
A journalist suffering from burn-out wants to finally say goodbye to his office – but his boss doesn’t like the idea one bit.
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.