Video 50

Tom is a young guy from Zagreb, completely without money, trying to make films in Belgrade. He somehow manages to survive with a help of women. He doesn't believe in anybody, respects no one and is in constant conflict with the ruling system and order. After being left by a silly American girl, Tom binds with a woman whose husband is abroad. When she kicks him out, he moves in with her husband's sister, who later kills him in the attack of jealousy. All this is shown in the context of major historical events prior to 1968. with lots of archive footage of world leaders.

Lovely Pinky Malhotra is a heart-breaker in the college where she studies, and has a number of young men who would lay down their lives for her. Amongst them are Sunil and Vicky. She is attracted to Sunil, and both carry on a romantic relationship, hoping to get married after finishing college. Before that could happen, Pinky finds out that Sunil has been two-timing her as he is already dating another young collegian. Angered and hurt at this, she decides she will have nothing to do with him, and starts her romance with Vicky. Sunil, who does not know what has transpired, wants to talk to Pinky with a view of rekindling their romance, but Pinky refuses to speak with him. The question remains is Sunil really in love with another girl, and if so, why did he take the trouble to woo Pinky?

Ibraham the industrious student fall in love with his colleague Khayriyah and she also fall in love with him, but the rich student Hani admire her. Ibrahim is trying to hide his social level because he is afraid to lose Khayriyah, and telling everybody that he is from a wealthy family, will Khayriyah find the truth someday ?.

Two teenage girls embark on a series of destructive pranks in which they consume and destroy the world around them.

In this videoart, the creator uses mixed media animation as they read a Clarice Lispector short story. Drawing a comparison with her own life experiences, she questions what it means to be a lesbian. Excluded from every aspect of the patriarchal life, she creates her own identity through her loved ones, relying on the precursors of the lesbofeminist movement.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

Nammal is another campus movie from Kamal after Niram. What is different this time is Kamal introduces new faces Siddharth and Jishnu. Kamal provides glimpses of the new campus with adventure in his movie with these debutants. Snehalatha (Suhasini) takes charge as the Principal in a college where Shyam (Siddharth) and Sivan (Jishnu) are the heroes. Shyam and Sivan are fun filled characters as well as naughty. Aparna (Renuka Menon) is teased and ragged by the duo, who happens to be the daughter of Principal's friend. Aparna complaints and Snehalatha takes action against Shyam and Shivan. Soon to her surpurise she discovers that Shyam and Shivan are orphans, hardworking and their guardian is a priest (Balachandra Menon).

Life for a struggling college student changes in an instant when he meets the owner of a male strip club who convinces him to give amateur night a whirl.

Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.

A collaboration between Soda_Jerk and The Avalanches.

The scene is set in front of a French chateau. The camera chases improbable incidents across the screen. Many are constructed out of one of Jordan's favorite engravings illustrators: Poyet. Duels occur on a tight rope. Heavier-than- air machines fly (and sometimes crash). Below guns spear exploding spheres. The timing of the animation is exquisite, existing in an atmosphere balanced between frenzy and delight.