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Esti returns to Oiartzun after six years living in Sweden. Although she had promised herself not to return, economic instability and job insecurity force her to return. She realises that the town remains unchanged, and Esti is not willing to adapt to it.

The chronicled life of a couple during the 9 months of their first pregnancy

Sofia introduces her three adult daughters to her new lover who is their age and happens to be a woman. The women, in particular Elvira find it extremely difficult to accept their mothers sudden apparent sexual reversal. The news pushes the neurotic Elvira to the point of nervous breakdown. Sol, the youngest daughter, writes a lude rock song about it and performs in front of them at a concert. The daughters plot together on how to get their mothers new girlfriend, a native Czech, and brilliant pianist, out of her life. Their plot goes terribly wrong and turns the film from a light-hearted comedy, into mildly amusing drama.

Closer to Home weaves a universal, haunting tale of two people inexorably drawn together for vastly different reasons. Dalisay struggles to journey from the Philippine countryside to New York City to marry Dean, a disillusioned ex-merchant marine. She's hoping to buy a cure for her dying sister and, ultimately, a future for her debt-ridden family, while he hopes to escape his disintegrating American family through love and a family of his own. A powerful, controversial film that quietly builds to a shattering collision of aspirations and cultures.

A troubled boy becomes addicted to heroin, and his mother and foster father help him fight it.

From the late 1950s through the '70s, more than 90,000 of the ethnic Koreans in Japan emigrated to North Korea, a country that promised them affluence, justice, and an end to discrimination. KAZOKU NO KUNI tells the story of one of their number, who returns for just a short period. For the first time in 25 years, Sonho is reunited with his family in Tokyo after being allowed to undergo an operation there. Sonho’s younger sister Rie is at the centre of the film, and is not hard to recognise as the director’s alter-ego. In her documentaries DEAR PYONGYANG and SONA, THE OTHER MYSELF, Yang Yonghi told the story of her own life, and how, at age six, she experienced the departure of her three older brothers, who left their family for Pyongyang.

Due to suspicion of BSE (mad cow disease), a herd of cows from a small farmstead is sentenced to be killed. The animals' revolt and try to escape. People try to hunt them down but the herd, led by Bella, manages to protect itself. Further failures of people increase their aggressiveness. The escalating battle has little in common with the original veterinary prevention. However, there are also people who try to help the cows, who desire nothing more than free life in the great outdoors, even if they are also forced to learn how to live and survive without anybody to feed them, milk them or fill them up with medicine. They learn all about hunger, cold, deprivation and pain. And the loss of loved ones...

Gumaro Pérez must fulfill all the whims of his wife, who is sworn lady of society even though the Pérez are not a wealthy family. In order not to look bad with his wife, Gumaro asks for a loan, but when he receives it, all his co-workers take it from him since he owes everyone money.

Set in present-day Reykjavík, Fiasco draws a narrative circle of interconnecting stories in which three members of the Bardal household deal with the secret loves in their lives. Karl, an old age pensioner, is busy chasing after an amnesic old screen legend. Julia, Karl's granddaughter, is torn between a mediocre bank manager and a wild sailor, and tells them both she is pregnant. But is she really? Steingerdur, Julia's mother, has a wild crush on a preacher who has a serious drinking problem, and ends up with a dead stripper in his Jacuzzi. The characters cross each other as the film progresses, until the three interwoven strands of the story finally come together in an explosive and hilarious crescendo full of surprises.

The story of a family; the story of a conflict. The rural and the urban, the past and the present, parents and their offspring: opposing ways of life struggle against one another whilst, in eloquent silence, the grandmother ('amama') watches her family’s destiny unfold.

Told through a single window-frame in Lebanon, the history of two generations unfold. Family dynamics take place, in a means all too familiar to make one wonder: will they repeat their own history?