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> When the source followed straight to the isolated lab. It looks like been ages. I know the movies (the previous three), but can't remember the scenes. A quick recap would have been helpful, but I did not do that and went ahead with this. That's the reason I hate to follow television series on the broadcast which drag one season for over 6 months. This was the fourth film in the [Rec] film series and third in the story continuation after first two. The third installment was set in the parallel timeline to that before one, but off the track narration. In this, an old woman character was brought on-board to make sure the third film was not an offbeat from the series. Except the opening few minutes, the rest of the story takes place on a moving ship. Kind of similar to 'Sector 7', though both the flicks are entirely different. The ship is used as a laboratory to develop a vaccine for the deadly disease which turns humans into the flesh eating zombies. It is protected by the armed paramilitary force. Somehow the virus breaks loose, the infection spreads out quickly through the various platforms like lab monkeys and foods. How the survivours fight to remain alive in the nowhere of the ocean is the remaining narrative. If there is a way, how they make it out that comes with the intensified gore battle between the undead and the living. I never expected another film in the series, I thought it was a trilogy, but after seeing this I felt the idea was not that bad after all. Just like the 'Jurassic Park' movies, the fourth movie puts the franchise back on the track after the third was derailed. The first film was so good and a bit scary too, followed by another decent movie. Like I mentioned the third flick was different, but a sustainable one to the theme and title. > "I don not know what was going on, > but luckily I was not there." This story starts off with a slow, until the third act where the pace picks up rapidly. Not scary, but towards the final sequences, it was very fast and edgy. The way it concluded, the outro scene was a hint for another film in the franchise. But in my opinion, it should have ended with three films or with this one. Hoping for a better one if there is going to be another [Rec], because my rating in numeral declining by one point following the each sequel. I think the suspense should have maintained well. There were some tiny twists and turns on the weak movie plot, but I anticipated the final twist and it did not deliver with that effectively. I know the theme was built on the situation, not depended on prolonged story. Because the action speaks more than any kind of development to give a clean vision on happening. After all, most of the horror movies follow the same sutra, but sometimes the horror-dramas exclude it and this is not one of that. Its a collective performance, individually, not noticeable. Because it does not follow any particular character. Though the character Angela, the television reporter was the centre of the attraction as it marks her comeback who was main in the first two films. The filmmaking was compromised, I mean it was not 'found footage' style movie as should have been. Because where this story set in does not demand such kind of cinematographical portrayal. Also avoids the dark atmosphere that used to scare us, especially the night vision screenplay was critical in the earlier two films to creep out the viewers. The title for this installment was 'Apocalypse', but that does not make any sense what they show in the exit scene. Should have called it 'Zombie Ship' like 'Ghost Ship'. I feel it is worth a watch, only to keep updated the [Rec] film series, because if they make a phenomenal 5th movie, we don't have to go back to 4th for continuation. 6/10
A psychotic man and an obsessed police officer make life unbearable for an unlucky actor by making him the scapegoat for a string of kidnappings.
A movie version of the original video psychic documentary series that explores the relationship between the allegedly disaster-causing footage and the death of a man who saw it. On the morning of July 22, 2002, a body was discovered in an alley behind a busy Tokyo street. Although the police were able to identify the corpse as Hara, a man in his thirties, they were unable to discover any cause of death and foul play has been ruled out.
During the midst of a massive pandemic and lockdown, a Horror Youtube guy finds himself trapped in the very thing that he spends his time tearing down : a bad horror film. Alone and isolated, a mysterious package from somewhere in Long Island seems to be driving him mad. Can he use his knowledge of crappy horror films to stay alive, or will he be just another victim in the Last Amityville Movie?
The eighth DVD of the new series that has been further powered up is released! Contains five segments.
When Chechen rebels take over a Russian nuclear reactor, it’s up to a special ops marksman to rescue the hostages and prevent nuclear catastrophe.
Contract killer Frank Zimosa has been hired for a ridiculously lucrative mission by the rich and powerful Jorge Mistrandia. The objective: kill a couple of people hiding in one of his European hotels. What would look like one of the simplest jobs Frank has ever had is about to turn into a living nightmare. He will soon realize he's nothing more than prey for Mistrandia and his army of mutated henchmen that have hiding in the hotel along with an ancient and unstoppable horror.
Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives.
Flight 23 has crashed in the Bermuda Triangle after a hijacking gone wrong. Now the surviving passengers must brave panic, slow leaks, oxygen depletion, and more while attempting a daring plan, all while 200 feet underwater.
The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.
The second installment of the Twilight of the Warriors trilogy.