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American Scream 2025 - ()
Wolf Man 2025 - ()
Suky 2025 - ()
Heartbreakers Beach Party 2024 - ()
Séance Games - Metaxu 2024 - ()
Iliza Shlesinger A Different Animal 2025 - ()
Anora 2024 - ()
Moana 2 2024 - ()
Shark Exorcist 2 Unholy Waters 2024 - ()
Jacob Tyler 2024 - ()
Faultline 2024 - ()
Dirty Angels 2024 - ()
DIG XX 2024 - ()
Deathgrip 2 2024 - ()
Mickey 17 2025 - ()
The Reluctant Royal 2025 - ()
Lumina 2024 - ()
My Husband the Cyborg 2025 - ()
Flow 2024 - ()
In the Summers 2024 - ()
You're the most unethical, ornery bandits I ever done business with. Return of the Badmen is directed by Ray Enright and co-written by Charles O'Neal, Jack Natteford and Luci Ward. It stars Randolph Scott, Robert Ryan, Anne Jeffreys, George Hayes and Jacqueline White. Music is by Paul Sawtell and cinematography by J. Roy Hunt. Braxton, Oklahoma Territory, 1889, soon to be a ghost town as the impending land rush changes the West. With that comes more than just settlers, it brings outlaws too, some of the meanest there is. Under the leadership of Wild Bill Doolin has gathered the Sundance Kid, the Younger Brothers, the Daltons, Wild Bill Yeager, Billy The Kid, George Mason, the Arkansas Kid and Doolin's niece Cheyenne. Standing in their way? Vance Cordell, retired Texas Ranger, soon to become temporary marshal of newly formed Guthrie Town, and a man with a score to settle with the Sundance Kid. Premise is simple, RKO, flush with the success of Badman's Territory the previous year, decide that more is best in this second instalment of the studio's "Badmen" trilogy (Best of the Badmen followed in 1951). They pitch some of the Wild West's baddest apples together and play them off against that bastion of stoic cowboyness, Randolph Scott. As a basic Western movie it works, film is always engaging, has a good action quota, is technically safe from the camera side of things and is driven by a pot boiling destiny showdown between Scott and Ryan. Trouble is is that so many notorious characters in one mix means the film has no chance of living up to its promise. Which in a running time of 90 minutes was always going to be impossible to achieve anyway, especially when you also have the inevitable romantic angle involving our hero, another character thread involving reform and the backdrop of the land rush as well. Thankfully the film finds Scott and Ryan more than capable of sealing the deal, lifting the picture above the routine plotting and unrealistic nature of the set-up. It's good versus evil, where Scott's Cordell is the man in light, the man of the people, and Ryan's Sundance is the man in dark, a twitchy cold blooded psycho. Yes, there's the inevitability factor of it all, we know who is going to triumph here, but the build up is well handled and it does provide a very brisk and punch laden finale. There's nothing irritable in cast performances across the board, yes we want more from the roll call of actors playing under written villains, but story, as fantastical as it is, never sags and entertains from first minute to last. There's worse ways for Western fans to spend an hour and half, that's for sure! 6.5/10
With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organise a daring new heist.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
In the first of the six films Bob Steele made in PRC's "Billy the Kid" series, gun law rules in Lincoln County, New Mexico in 1972, where Sam Daly and Pete Morgan operate a general store. Daly expects to be elected sheriff and he and Morgan intend to bring off a final big coup and then disappear. To further their plans, they have local ranchers such as the Bennett brothers killed. Billy Bonney and his friends Fuzzy Jones and Jeff Travis, driving a cattle herd and friends of the Bennetts,engage in a gun battle with the killers that frightens the stage horses. Billy gives chase and rescues Judge Fitzgerald and his daughter Molly. The judge has been sent by Washington's Department of Justice to take over the law enforcement in Lincoln County, but is murdered by the Daly/Morgan henchman. Sheriff Long deputizes Billy and his friends to bring in the killers, but Daly is elected sheriff, and promptly brands Billy, Jeff and Fuzzy as outlaws. Billy, now known as Billy the Kid, retaliates by ...
After the events of Pitch Black, a contractor is hired to locate Riddick, dead or alive. He reviews available information on him and the events of Pitch Black. Terrified, he hires a female cyberpunk merc to do the job for him.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
A group of outlaws plan and execute a robbery in a small town. However, things go awry as the team attempt a getaway, when a couple of the locals attempting to follow them, are ambushed by marauding natives.
Outlaws plan a robbery to take place during a championship prizefight in Carson City, Nevada.
After her stagecoach is ambushed, a woman is tasked with holding a dangerous outlaw captive and must survive the day when the bandit’s gang tries to free him.
Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.