Dark Match 2024 - Movies (Jan 30th)
The Club That George Built 2024 - Movies (Jan 30th)
Heretic 2024 - Movies (Jan 30th)
Wicked 2024 - Movies (Jan 30th)
The Line 2024 - Movies (Jan 30th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Pushover 2024 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
Tom Green I Got a Mule 2025 - Movies (Jan 28th)
The Last American Vagabond - (Jan 30th)
Richard Osmans House of Games - (Jan 30th)
Four in a Bed - (Jan 30th)
Come Dine With Me- South Africa - (Jan 30th)
The Nature of Things - (Jan 30th)
The Dog House - (Jan 30th)
The Apprentice - (Jan 30th)
Tyler Perrys Sistas - (Jan 30th)
Katy Tur Reports - (Jan 30th)
Pictionary - (Jan 30th)
Chris Jansing Reports - (Jan 30th)
Andrea Mitchell Reports - (Jan 30th)
Piers Morgan Uncensored - (Jan 30th)
Brian and Maggie - (Jan 30th)
Nature - (Jan 30th)
Storyville - (Jan 30th)
Road Wars - (Jan 30th)
Perfect Match - (Jan 30th)
Family Feud Canada - (Jan 30th)
Homes Under the Hammer - (Jan 30th)
This is quite a cleverly interwoven series of scenarios following a series of people all moving house on the same day. We start at the bottom of the chain and work our way quickly and frequently quite pithily, through to the posh folks at the top of the chain - the ones who want to unscrew the light switches and remove the cemented-in garden furniture! They say moving house is amongst the most traumatic of events that befalls us (in peacetime, anyway) and Jack's Gold and Rosenthal have managed to assemble a solid cast of Brits to take us through their day of trauma and domestic nightmares via an avenue of prejudice, snobbery, kindness and plain mean spiritedness. Nigel Hawthorn takes the cake for me - the supercilious "Thorn" with long suffering wife "Betty" (Anna Massey) who insists on taking the ash from the fireplaces so he can fertilise his garden; but there are also engaging efforts from Maurice Denham, Billie Whitelaw with Bernard Hill and Warren Mitchell holding the narrative together nicely as one set of removals men. The humour is plentiful, but runs too much to stereotype for me. Very much of it's time - Mrs. Thatcher's Britain - it evokes a certain degree of disdain and nostalgia in almost equal measure, but it settles into a routine that becomes a tad predictable after a while. Still, it is an interesting concept that had it lost twenty minutes or so, could have been quite a pointed observation of human behaviour under varying degrees of pressure; self-imposed or otherwise.
A professor tires of the direction his life is going and wants to move west, but his girlfriend doesn't understand why he is so dissatisfied.
Jenna is a pregnant, unhappily married waitress in the deep south. She meets a newcomer to her town and falls into an unlikely relationship as a last attempt at happiness.
Two young insurance corporation employees try to pretend that their murdered employer is alive by puppeteering his dead body, leading a hitman to attempt to track him down to finish him off.
Salma Zidane, a widow, lives simply from her grove of lemon trees in the West Bank's occupied territory. The Israeli defence minister and his wife move next door, forcing the Secret Service to order the trees' removal for security. The stoic Salma seeks assistance from the Palestinian Authority, Israeli army, and a young attorney, Ziad Daud, who takes the case. In this allegory, does David stand a chance against Goliath?
A headstrong young woman returns to New Orleans after the death of her estranged mother.
The original '70s TV family is now placed in the 1990s, where they're even more square and out of place than ever.
After being evicted from their Manhattan apartment, a couple buy what looks like the home of their dreams—only to find themselves saddled with a bank-account-draining nightmare. Struggling to keep their relationship together as their rambling mansion falls to pieces around them, the two watch in hilarious horror as everything—including the kitchen sink—disappears into the Money Pit.
College coeds in New York City, Al, the son of a celebrity chef, and Imogen, a talented artist, become smitten the second they lay eyes on one another at a bar. However, the road to happiness is not a smooth one. Outside forces, including a predatory porn star who wants to lure Al into her bed, threaten to pull apart the young lovers before their romance has a chance to really flourish.
Deuce Bigalow is a less than attractive, down on his luck aquarium cleaner. One day he wrecks the house of a gigolo and needs quick money to repair it. The only way he can make it is to become a gigolo himself, taking on an unusual mix of female clients. He encounters a couple of problems, though. He falls in love with one of his unusual clients, and a sleazy police officer is hot on his trail.
Young love and childish fears highlight a year in the life of a turn-of-the-century family up to the 1904 St. Louis World's Fair.