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Never be ashamed of your blood. Reprisal! Is directed by George Sherman and written by David P. Harmon, Raphael Hayes and David Dortort. It stars Guy Madison, Felicia Farr, Kathryn Grant, Michael Pate, Edward Platt, Otto Hulett, Wayne Mallory and Frank De Kova. Music is by Mischa Bakaleinikof and Technicolor cinematography by Henry Freulich. Frank Madden (Madison) is half white, half Indian, in order to be allowed to own his own land in the County of Kendall, Texas, he keeps his half-breed status a secret. Acquiring a ranch and land, Madden quickly falls foul of the Shipley brothers, a trio of thugs known to be Indian killers and intent on making Madden tow their party line. Nice, in fact something of a treat for Western fans. On plot terms it doesn’t sound like much, the sort of run-of-the-mill Oater so prevalent in the 1950s, but there’s a lot going on psychologically here to run along side the shoot em’ ups, fisticuffs and simmering passions. It starts off very strongly with a court case as the Shipley brothers are on trial for lynching two Indians, clearly guilty, they of course get off because most of the town are Indian haters. This instantly sets it up for half-breed Madden to be constantly at war with himself, he wants to just settle down and earn a crust, but can he keep turning the other cheek as his half kin are abused and used by the very townsfolk he rubs shoulders with? He keeps winding up in situations where someone needs his help, and it frustrates him greatly, and when his Indian grandfather appears on the scene to offer some sage advice, his emotional confliction goes up still further. The back drop is a town bursting at the seams with racial tensions, then throw in revenge, mob justice, inter-racial lust and murders, you got yourself a film packing in as much as it can in its relatively short running time. It looks nice with photography out of Tuscon, the acting is up to the standard of the production, Grant and Farr are twin delights for the eyes, and Sherman once again proves to be a good old pro who knew his way around a Western. One of the better “B” Westerns of 1956, well worth catching by duster fans if the chance arises. 7.5/10
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.
Billy Carson, looking for rustlers, kills Bradley in a gun fight. Arrested, the judge finds him innocent but jails him anyway. When the rustling resumes he is released and posing as a Mexican cattle buyer he hopes to trap the culprits.
Monogram's Outlaws of Texas is surprisingly bereft of the action highlights one might expect from star Whip Wilson. This time, the Whip and his saddle pal Andy Clyde play heroes Tom and Hungry who work undercover to break up a gang of bank robbers.
Ben Jason has found a lost gold mine. When Morgan learns this, he and his henchman chase down Jason and kill him. Banning and sidekick Rafferty arrive on the scene only to be arrested and jailed for the murder. They escape from jail and now have to find the real killers to clear their name.
Just as Nevada wins $7000 in yellowback bills, Ben Ide takes his $7000 and heads out to buy mining equipment. Burridge has his man Powell kill Ide and retrieve the money and Nevada finds Ide just as the posse arrives. Found with the money Nevada is arrested and Burridge now gets Powell to incite the local citizens to lynch Nevada.
The year is 1949. A young Texan named John Grady finds himself without a home after his mother sells the ranch where he has spent his entire life. Lured south of the border by the romance of cowboy life and the promise of a fresh start, Cole and his pal embark on an adventure that will test their resilience, define their maturity, and change their lives forever.
A band of murderous cowboys has imposed a reign of terror on the town of Warlock. With the sheriff humiliatingly run out of town, the residents hire the services of Clay Blaisedell as de facto town marshal. He arrives along with his friend, Tom Morgan, and sets about restoring law and order on his own terms whilst also overseeing the establishment of a gambling house and saloon.
With his sidekick Fuzzy Q. Jones, Rocky Cameron rides into a small town plagued by cattle rustlers. He can expect no help from the sheriff as he is the head of the rustlers.
A fiercely independent cowboy arranges to have himself locked up in jail in order to then escape with an old friend who has been sentenced to the penitentiary.
