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Philip Dunne has assembled quite a decent cast for this post-war thriller. "Lisa" (Dolores Hart) wants to get to Palestine - then under the British Mandate - and so enlists the help of a Dutch police officer "Jongman" (Stephen Boyd) who helps her navigate the tricky journey. The travelogue narrative is fairly straightforward, peppered with strong contributions from an on-form Leo McKern as barge captain "Brandt"; Hugh Griffith, Donald Pleasance and Marius Goring (though not, perhaps, Harry Andrews so much as the oddly cast "Ayoob"). Boyd is much better than usual too; his part has more for him to get his teeth into as his character starts to really care for his troubled companion. The film, though, really belongs to Hart. She encapsulates well the sense of trauma and loss experienced by her holocaust surviving character. Her mania when stuck in the bilges of the barge to avoid capture is palpable, as are many of the perilous scenarios she must face as her attempt at repatriation gathers pace. Talking of pace, the film moves along well with a sparing amount of dialogue that allows us to feel like we, too, have some skin in her game.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
Salma Zidane, a widow, lives simply from her grove of lemon trees in the West Bank's occupied territory. The Israeli defence minister and his wife move next door, forcing the Secret Service to order the trees' removal for security. The stoic Salma seeks assistance from the Palestinian Authority, Israeli army, and a young attorney, Ziad Daud, who takes the case. In this allegory, does David stand a chance against Goliath?
Born in Brooklyn to Palestinian refugee parents, Soraya decides to journey to the country of her ancestry when she discovers that her grandfather's savings have been frozen in a Jaffa bank account since his 1948 exile. However, she soon finds that her simple plan is a complicated undertaking — one that takes her further from her comfort zone than she'd imagined.
Drunk and disillusioned Roman, Marcellus Gallio, wins Jesus' robe in a dice game after the crucifixion. Marcellus has never been a man of faith like his slave, Demetrius, but when Demetrius escapes with the robe, Marcellus experiences disturbing visions and feels guilty for his actions. Convinced that destroying the robe will cure him, Marcellus sets out to find Demetrius — and discovers his Christian faith along the way.
An elderly Israeli Jew of Greek origins was sent to Greece to represent his town in a town twinning ceremony, however he went instead to search for his friend from the childhood, who saved him from the Holocaust. In meantime he formed a special relationship with young Greek woman, and dealt with the broken relationship with his devout Hasidic son.
Overburdened and stuck in a greying marriage, Giovanna takes to caring for a Jewish Holocaust survivor her husband brings home. As she begins to reflect on her life, she turns to the man who lives across from her.
Chronicle of a Disappearance unfolds in a series of seemingly unconnected cinematic tableaux, each of them focused on incidents or characters which seldom reappear later in the film. Among the many unrelated scenes, there is a Palestinian actress struggling to find an apartment in West Jerusalem, the owner of the Holy Land souvenir shop preparing merchandise for incoming Japanese tourists, a group of old women gossiping about their relatives, and an Israeli police van which screeches to a halt so several heavily armed soldiers can get off the car and urinate.
Arthur Goldman is a rich Jewish industrialist, living in luxury in a Manhattan high-rise. He banters with his assistant Charlie, often shocking him with his outrageousness and irreverent musings on aspects of Jewish life. Nonetheless, Charlie is astonished one day when Israeli secret agents burst in and arrest Goldman for being a Nazi war criminal. Whisked to Israel for trial, Goldman forces his accusers to face, not only his presumed guilt, but their own.
In 1917 when the British forces are bogged down in front of the Turkish and German lines in Palestine they rely on the Australian light horse regiment to break the deadlock.
On a TV tabloid show, Iya Zetnick exposes Joe Mueller as the Nazi war criminal who killed her family.