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Philip Dunne has assembled quite a decent cast for this post-war thriller. "Lisa" (Dolores Hart) wants to get to Palestine - then under the British Mandate - and so enlists the help of a Dutch police officer "Jongman" (Stephen Boyd) who helps her navigate the tricky journey. The travelogue narrative is fairly straightforward, peppered with strong contributions from an on-form Leo McKern as barge captain "Brandt"; Hugh Griffith, Donald Pleasance and Marius Goring (though not, perhaps, Harry Andrews so much as the oddly cast "Ayoob"). Boyd is much better than usual too; his part has more for him to get his teeth into as his character starts to really care for his troubled companion. The film, though, really belongs to Hart. She encapsulates well the sense of trauma and loss experienced by her holocaust surviving character. Her mania when stuck in the bilges of the barge to avoid capture is palpable, as are many of the perilous scenarios she must face as her attempt at repatriation gathers pace. Talking of pace, the film moves along well with a sparing amount of dialogue that allows us to feel like we, too, have some skin in her game.
Familiar Phantoms is an experimental documentary short film about memory, history and trauma.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
Born in Brooklyn to Palestinian refugee parents, Soraya decides to journey to the country of her ancestry when she discovers that her grandfather's savings have been frozen in a Jaffa bank account since his 1948 exile. However, she soon finds that her simple plan is a complicated undertaking — one that takes her further from her comfort zone than she'd imagined.
On a TV tabloid show, Iya Zetnick exposes Joe Mueller as the Nazi war criminal who killed her family.
In 1917 when the British forces are bogged down in front of the Turkish and German lines in Palestine they rely on the Australian light horse regiment to break the deadlock.
Santa Claus tries to outrun a gang of knife-wielding youth. It's one of several vignettes of Palestinian life in Israel - in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in the hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn't.
Hasan Everywhere is an animation which broaches the subtlety of a relationship between a man and a woman who bear the passports of enemies, to sympathetically deal with the subjects of death, grief, lost opportunity; but mostly it seeks to demonstrate the possibility of friendship triumphing over the deepest of rifts between two people. In that regard it is most unusual among the standard fare of animated shorts.
As Abu Laila is forced to leave his job as a judge and become a cab driver, he faces a hectic challenge when he's told by his wife to bring a gift and a cake for their daughter's seventh birthday, which proves to be a task more complicated than he expected.
The viscous conflict between Israel and the Palestinians is now a generation old. For many of the children of the region, the terrorist war has been going on for their entire lifetimes, killing their family and friends, and overshadowing their lives. They are the Children of Rage