O quinto evanxeo de Gaspar Hauser

"Bs.As." is an experimental documentary film that reframes the history of immigration from Galicia (Spain) to Buenos Aires (Argentina). A Galician man's curiosity about his long-lost relatives who immigrated to Buenos Aires takes him on a surreal journey across times and space. Through travel, photographs, letters, and phone calls he explores the unpredictable ways in which immigration creates both bonds and distance between people and places. "Bs.As." received various awards including the Premio Foco Galicia (Tui, 2007).

Everything changes the day Sofia decides to take on her relationship with Paloma. Behind the supposed acceptance of her parents hides a plan to redirect their daughter to heterosexuality. And behind the apparent facade of tenderness and understanding in the couple hides a situation of maltreatment and instability that will take them to the limit.

Piedad has lived big part her life in Leiroso, a small village of the Bierzo, isolated of the urban world in company of her husband. Both decided to remain in the village, still when their children and neighbours were abandoning the place. At the age of 76, appears the Alzheimer in the life of Piedad, her husband died does some time, converting like this in the only inhabitant of the place but still like this, the option to go of there was not something that had in mind. The advance of the illness motivates that Amadeo, her younger son, take the decision to carry to his mother to live with him and his family to the city of A Coruña (Galicia, NW of Spain).

Tradition and performance show us the physical relationship between man and animal when in combat.

Absorbed, Unnatural, Dismal, Deface, SOK, Wisdom, Detestor ... Names linked to a very specific movement such as Death Metal and to a time and place as the Galicia from the 1990s. In this documentary, through interviews with members of that movement, from band members to producers or fanzine writers, we try to pay homage to an underground movement as Galician Death Metal along the 90s, deepening its history and its stories.

Taking the elegance and poetic power of the sea as main elements, Andrade subverts the role traditionally imposed on women. From observed objects to subjects that open their eyes to forgotten realities. Images that, when fading out, reflect a world whose sensitivity is mutating. Scenes of a dreamlike quality that borders surrealism so as to show the new order of things.

Made by ten directors in Pontevedra, Galicia.